Lilly

Brooke

Nude Photography Auckland

Beautiful Brooke

Sunglasses Galore

Sunglasses Galore

Hayley

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Eleanor

Nude Photography Auckland

The Tin Soldier Ballerina

The Steadfast Tin SoldierThe Steadfast Tin Soldier The Steadfast Tin Soldier The Steadfast Tin Soldier The Steadfast Tin Soldier

 

“The Steadfast Tin Soldier” is a literary fairy tale by Hans Christian Andersen about a tin soldier’s love for a paper ballerina. The tale was first published in October 1838 in the first booklet of Fairy Tales Told for Children. It has since been adapted to various media including ballet and animated film.

On his birthday, a boy receives a set of 25 toy soldiers all cast from one old tin spoon and arrays them on a table top. One soldier stands on a single leg because, as he was the last one cast, there was not enough metal to make him whole. Nearby, the soldier spies a pretty paper ballerina with a spangle on her sash. She, too, is standing on one leg, and the soldier falls in love. That night, a goblin among the toys in the form of a jack-in-the-box, who also loves the ballerina, angrily warns the soldier to take his eyes off her, but the soldier ignores him.

The next day, the soldier falls from a windowsill (presumably the work of the goblin) and lands in the street. Two boys find the soldier, place him in a paper boat, and set him sailing in the gutter. The boat and its passenger wash into a storm drain, where a rat demands the soldier pay a toll.

Sailing on, the boat is washed into a canal, where the tin soldier is swallowed by a fish. When this fish is caught and cut open, the tin soldier finds himself once again on the table top before the ballerina. Inexplicably, the boy throws the tin soldier into the fire, which is most likely the work of the jack-in-the-box goblin. A wind blows the ballerina into the fire with him; she is consumed by it. The maid cleans the fireplace in the morning and finds that the soldier has melted into a little tin heart, along with the ballerina’s spangle, which is now burned black as coal.

We Can Do It!

We Can Do It!

We Can Do It!

“We Can Do It!” is an American World War II wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electric as an inspirational image to boost female worker morale.

The poster was little seen during World War II. It was rediscovered in the early 1980s and widely reproduced in many forms, often called “We Can Do It!” but also called “Rosie the Riveter” after the iconic figure of a strong female war production worker. The “We Can Do It!” image was used to promote feminism and other political issues beginning in the 1980s. The image made the cover of the Smithsonian magazine in 1994 and was fashioned into a US first-class mail stamp in 1999. It was incorporated in 2008 into campaign materials for several American politicians, and was reworked by an artist in 2010 to celebrate the first woman becoming prime minister of Australia. The poster is one of the ten most-requested images at the National Archives and Records Administration.

After its rediscovery, observers often assumed that the image was always used as a call to inspire women workers to join the war effort. However, during the war the image was strictly internal to Westinghouse, displayed only during February 1943, and was not for recruitment but to exhort already-hired women to work harder.

J. Howard Miller was an American graphic artist. He painted posters during World War II in support of the war effort, among them the famous “We Can Do It!” poster. In 1942, Miller was hired by Westinghouse Electric’s internal War Production Coordinating Committee, through an advertising agency, to create a series of posters to display to the company’s workers. The intent of the poster project was to raise worker morale, to reduce absenteeism, to direct workers’ questions to management, and to lower the likelihood of labor unrest or a factory strike.

No more than 1,800 copies of the 17-by-22-inch “We Can Do It!” posters were printed. It was not initially seen beyond several Westinghouse factories in East Pittsburgh, Pennsylvania, and the midwestern U.S. Mostly women were employed in this enterprise, which yielded some 13 million helmet liners over the course of the war. The slogan “We Can Do It!” was probably not interpreted by the factory workers as empowering to women alone; they had been subjected to a series of paternalistic, controlling posters promoting management authority, employee capability and company unity, and the workers would likely have understood the image to mean “Westinghouse Employees Can Do It”, all working together. The upbeat image served as gentle propaganda to boost employee morale and keep production from lagging. The pictured red, white and blue clothing was a subtle call to patriotism, one of the frequent tactics of corporate war production committees.

In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the image an embodiment of female empowerment. The “We” was understood to mean “We Women”, uniting all women in a sisterhood fighting against gender inequality. This was very different from the poster’s 1943 use to control employees and to discourage labor unrest. The image is a combination of femininity with the masculine composition and body language.

Rose and Johnny

Nude Photography Auckland

Nude Photography Auckland

Beautiful Rose

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Kim

Nude Photography

Sunglasses

Harriet

Lance Betterton

Portrait Photographer Auckland

Lance Betterton

No interest in school. Wanted to be bad. Ran away from home, lying and stealing. A glue sniffer. In and out of jail. On the drugs and on the piss. Escaped from prison. Run with a gang. Fighting for the sake of fighting. Tattoos on my face. Over dosed on drugs. All this pretty much sums up my first 30 years on this planet. I thought this is me for the rest of my life. What a hopeless case!
Then someone believed in me and gave me a second chance. I never looked back. Been on the straight and narrow for 23 years now. Proof that it can be done.

Lance Betterton.

Mason With

Portrait Photographer Auckland

Shaylin Versace Bradley

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Shaylin Versace Bradley

2021 Portraiture Seminar

Award winning professional photographer Auckland
About the event
Join portrait photographer Ilan Wittenberg on a three hour seminar on documentary travel photography. Wittenberg is NZIPP 2020 Auckland Photographer of the year and the Editorial prize winner of the 2020 Sony Alpha Awards. Wittenberg was a finalist at the 2020 NZIPP Travel category and a finalist of the STORIES category at the AIPP 2021 Silver Lining awards.

When
Saturday, May 15, 1-4 pm, $49 admission fee, Register Here

Where
Studio One Toi Tū
Ponsonby Road, Ponsonby, Auckland.

What’s included

We will review travel photography from CairoJerusalem and Morocco. During this seminar participants will have plenty of opportunities to ask questions regarding Ilan’s camera technique, equipment, software, post processing, creating a portfolio, exhibiting and entering the Awards. Wittenberg will also talk about how to engage people in a foreign land when asking to create their portrait and how to use photos for storytelling.

You will also be able to try different printing papers courtesy of EPSON who will have an A3-A2 size photo printer available for us. You are welcome to bring your favourite 2-3 images on a USB or an SD card (JPEG format) so these can be printed during the seminar. Bring an empty cardboard tube so your print will travel home safely.

 

Techniques covered

  • Travel Photography
  • Equipment
  • Posing
  • Lighting
  • Composition
  • Selecting the right lens
  • Camera Settings
  • Engaging your subject
  • Post processing
  • Creating a portfolio
  • Entering Awards

What to bring 

  • SDHC memory card
  • Hi resolution JPEG images that you’d like to print on EPSON’s wide format photo paper
  • Cardboard tube for your new prints

William Maealiuaki Tu’ihalafatai Taufa

Portrait Photographer Auckland

William Maealiuaki Tu’ihalafatai Taufa

Malo e lelei, Greeting.My name is William. My middle name is Maealiuaki Tu’ihalafatai and last name Taufa. I’m 38 years old. I’m Tongan. My father from Hofoa, Tongatapu Is. My mother from Futu, Niuafo’ou Is. I was born and raised in Angaha, Futu, Eua Is. I’m the fourth out of six. I have two sisters and three brothers.
I married to this beautiful lady named Lupe Tu’atonga. God blessed my wife and I with four beautiful children. Two boys and two girls.
All my tattoos represented my family, especially my beautiful wife and kids.
I love art and sport. I love music. I love food. My favourite food is taro leaves, lamb chopped with coconut. My big dreams when I was a kid was to be an architect and a photographer cause’ I love art. I like to have an admiration and ask myself questions for looking at the beauty of the creation of our God. I always thank God every day for beauty He created in us. How Great Ghou Art.

Beautiful Rose

Nude Photography Auckland

Nude Photography Auckland

Portrait Photographer Auckland

Tara Kartya Amoretti album

My name is Tara Kartya Amoretti I was born in 1968, I’m 52 years old. I’ve lived in Auckland most of my life. I came over from the UK on a ship, with my mom and my sister, fatherless. So I was brought up around a family of women. My journey has been male to female, but as I was growing up, I didn’t know my true identity. I did not know why I liked doing the things that I would do. Even when I was young, I liked to dress up in my mom’s clothes and her lingerie. When my mum and my sister went out, my sister would always get in trouble for going into her drawers. She didn’t know that I used to do these things as I’d always hide out. I did not want anyone to ask why I am doing this. And I tried to hide these things and I did so for a number of years.
As I got older, the internet came along, and I started searching for answers and they started to come to me. I still couldn’t understand why I was having the feelings that I would have. At school I did not like doing full contact sports. I did not want to do a lot of things that other boys my age would do. And I’ve struggled with it, but I just thought, oh, okay, move on to the next thing. This went on for a number of years. I would dress up as a female under my clothes and nobody knew. I was still frazzled with finding myself: why I was doing this.
I don’t know whether or not this was because I was sexually assaulted when I was younger, when a guy took me and sexually assaulted me. What impact it had on me I’m not sure. I guess I never really felt the same after that. But then I carried on without telling anybody about it.
And here I am today. I’ve struggled with relationships, with my fetish that I had and not knowing what is going on. I just struggled through but I carried on. I was in and out of relationships, not that many, but I had a few. And when I came into one relationship and found myself doing the same thing, I wasn’t too sure what to do. So, I just, I carried on investigating and looking at things, and reading about transgender and the different walks of life and learning about hormones and whatnot. I’ve thought about it without taking any action.
I hid behind alcohol and drugs. I tried to hide from it. I wanted to bury it, but I couldn’t. It just kept coming to the surface. I wanted to wear women’s underwear and undergarments and lingerie. It was affecting my relationships. My partner did not think it was very nice and wasn’t positive, so I got rid of everything woman that I had, and tried to put it behind me. It still kept coming up. It went on for quite a few years, many years, but it still kept growing its head. It wouldn’t go away. I would envy other women, their faces, how they looked and how pretty they were.
I tried to come to terms with things and I couldn’t. I’ve done a couple of courses over two years. And by the end of those two years, I was just about 49 and decided I am going to see the doctor, and tell him how I felt. It wasn’t very successful to start up with but I managed to get it out of him on the second visit, what I wanted to say to him, because he couldn’t understand it the first time. I told him that if we started, I wanted to be a female. So I went through the proper steps. I was on antidepressants at the time so I’d see a psychiatrist, and everything else that you have to do when you decide you’re gonna go on hormones and to be a woman, including psychiatric evaluation on the things you do when you embark on this journey. Eventually I was able to start my hormone treatment, and when I did, I totally embraced who I was and wanted to be.I already thought about my new name that I wanted and has been on my mind for a long time. So, I went through to the end, I went over to Thailand. I had a few trips there. I had my voice done, that was the first step. As soon as I started my hormones, I threw away my whole wardrobe, everything that was male was gone. I started a new wardrobe. Now I’ve got so many clothes, it’s not funny. Beautiful ones.

As time went by, I had to be on hormones for like a year before I could have this surgery to look like a woman. I couldn’t wait. Then my time came and I went to Thailand to have my breasts implants and the sex change operation. It didn’t go right the first time. There were complications and I had to come home and let it heal. I had to go back again and have the operation again. I still have a couple of complications but it’s quite minor, I think. I’m getting there. It’s all there, looking beautiful. I’ve had work done on my face. I’ve had upper eyes, lower eyes, face lift and neck lift. I try to keep myself super fit for the operations. I’ve done a lot of pole dancing, ballet and stretching. To this day, I’m still on my journey to be the person I’ve always wanted to become. Here I am.