Sophie

The subject of the female figure is an artistic tradition which indicates the historic value of beauty and fertility. Nudity has been a fundamental element of art throughout history. It has been used in paintings, sculptures, and other art forms to depict the human form, to express emotions and ideas, and to convey cultural and social messages. The role of nudity in art has changed over time, with changing cultural, religious, and social attitudes towards the human body.

In ancient times, nudity was often used in art to represent the supernatural. Nude female figures represented in art can be found as early as the Upper Palaeolithic era – the last Stone Age period. Similar images which represent fertility deities, gods and goddesses in Babylonian and Ancient Egyptian art were precursors to the works of Western antiquity. Greek and Roman artists frequently depicted gods and goddesses in the nude, as a symbol of their power and divine nature. Other notable traditions of artistic nude representations can be found in India and Japan: in particular, traditional Hindu temple sculptures and cave paintings -some very explicit- indicate the value of sexuality; a reveal a culture where partial or complete nudity was common in everyday life. In Early Christian art, the naked human figure was seen as a symbol of corruption and sin.

During the Renaissance period, artists began to incorporate the nude figure in their work more frequently, using it to express the beauty of the human form and to explore the complexity of human emotions. Athletes, dancers, and warriors statically express human energy and life, while nudes express basic and complex emotions. Artists like Michelangelo and Leonardo da Vinci created famous works depicting the nude figure. In the 19th and early 20th centuries, nudity became a more controversial subject in art. Artists like Édouard Manet and Gustave Courbet challenged traditional attitudes towards the human body, introducing more realistic and honest depictions of nudity. This trend continued into the 20th century, with artists like Pablo Picasso and Salvador Dali incorporating nudity into their works to express more surreal and abstract ideas.

Today, nudity in art continues to be a source of debate and controversy. Some see it as a powerful expression of human beauty and emotion, while others view it as inappropriate or even offensive. Despite this, nudity remains an important element of art, continuing to push the boundaries of what is acceptable by society. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. Fine art nude photography is a genre that captures the beauty and aesthetic of the human body, with an emphasis on form, composition, emotional content, and aesthetic qualities. This form of photography has been practiced for centuries and can be seen in various art movements such as classical, romantic, and modern. Fine art nude photography challenges and subverts societal norms and stereotypes surrounding nudity and the human body. It also celebrate the human form and explore themes such as sexuality, gender, and identity. It can also be controversial and may be subject to censorship and societal criticism. 

Erotic interest, although often present, is secondary; which distinguishes art photography from both glamour and pornographic photography. The distinction is not always clear, and photographers tend to characterise their own work subjectively, although viewers may have  different impressions. The nude is a controversial subject across all artistic mediums, but more so within photography due to the inherent realism. The medium examines issues of representation and identity, sexuality and voyeurism – some nude photography deliberately blur the boundaries between erotica and art. In the context of the 21st century, it is difficult to make an artistic statement in the medium of nude photography, given the proliferation of pornographic imagery – which has tainted the artistic subject in the perception of most viewers, limiting the opportunities to exhibit or publish artistic nude images

In this series, I explore the female nude figure through a collection of photographs on location. I aim to create images that are aesthetically pleasing and evoke an emotional response. I use lighting, composition, and posing techniques to create mood. I endeavor to respect the boundaries and sensitivities of my subjects and viewers and always obtain informed consent before creating these images. In presenting this series, I offer opportunities to contemplate and appreciate the juxtaposition between human and nature: soft flesh and harsh environment; life and stillness; white and black. The use of monochrome emphasises the nude shape and form, removing distracting elements to ensure that you focus on the beautiful feminine body language. These photographs portray powerful, vulnerable, and independent women who are depicted through fresh, inspiring and original artwork.

In presenting this series, I offer opportunities to contemplate and appreciate the juxtaposition between human and nature: soft flesh and harsh environment; life and still; white and black. The use of monochrome emphasises the nude shape and form, removing distracting elements to ensure that you focus on the beautiful body language. These photographs portray powerful and independent women who are depicted through fresh, inspiring and original artwork.

Lucy

Robyn

Keri

Jana

Mia

Maggie

Zoe

Tamsin

Melissa

Ivy

Eve

Lucie

Fernanda

Viviane

Karin

Virginia

Nakita

Meg

Shazia

Light at the Tunnel

Vendy

Le Corre

Poppy

Maddison

Aimee

Minh-Ly

On the Rocks

Autumn Leaves

The wave Breaker

The Nymph

Giuliana

The Huntress

Woman on a Tree

Juxtaposition

Drought

The Bride

By the Sea

I let the cold porcelain bruise it’s way into my knees
Some days I sit there long enough that my skin looks like it could peel from my flesh
I feel each individual drop of water soak the skin on my back rising and falling down protruding vertebrae
It flows no different to the rapids of a river rolling across jagged stone
And quietly to myself I beg it to wash away the ache that seems it has so effortlessly weaved its way into every cell in my body
The way cancer would spread
Or weeds over grow a garden once cared for

Encapsulated

Temptation

Climbing Up

Mud

Between two Rocks

The Tree