This Kaleidoscope portfolio displays mirrored surfaces, tilted to each other in angles, so that objects are seen as a regular symmetrical patterns. The original view is multiplied into a symmetrical mosaic, creating a circular pattern like a three-mirror equilateral triangle Kaleidoscope which yields an infinite pattern that fills the entire visual field. For this portfolio I choose everyday patterns that occur in nature around me. I then enhance the result to make it more dramatic.
Kaleidoscope #10
Kaleidoscope #11
Coloured Kina Shells
Lily Pods
Spikes
Nude Flower
Kaleidoscope #13
Kina Shells
Kaleidoscope #14
Kaleidoscope #15
Kaleidoscope #16
Kaleidoscope #17
Kaleidoscope #18
Kaleidoscope #5
Kina Shells #2
Kaleidoscope #20
Spiders
Kaleidoscope #21
Kaleidoscope #22
Kaleidoscope #24
Kaleidoscope #34
Kaleidoscope #33
Kaleidoscope #32
Kaleidoscope #31
Kaleidoscope #68
Kaleidoscope #30
Kaleidoscope #29
Kaleidoscope #67
Kaleidoscope #28
Kaleidoscope #27
Kaleidoscope #26
Kaleidoscope #9
Kaleidoscope #25
Kaleidoscope #35
Kaleidoscope #36
Kaleidoscope #37
Kaleidoscope #38
Kaleidoscope #39
Kaleidoscope #66
Kaleidoscope #40
Kaleidoscope #41
Kaleidoscope #42
Kaleidoscope #57
Kaleidoscope #45
Kaleidoscope #71
Kaleidoscope #56
Kaleidoscope #55
Kaleidoscope #54
Kaleidoscope #70
Kaleidoscope #53
Kaleidoscope #51
Kaleidoscope #43
Kaleidoscope #50
Kaleidoscope #49
Kaleidoscope #65
Kaleidoscope #44
Kaleidoscope #69
Kaleidoscope #23
Kaleidoscope #64 © Ilan Wittenberg 2019 Limited Edition of 9 + 2AP
Kaleidoscope #48
Kaleidoscope #47
Nude Flower 4
Kaleidoscope #46
Kaleidoscope #62
Kaleidoscope #61
Kaleidoscope #63
Kaleidoscope #60
Kaleidoscope #58
Kaleidoscope #59
Nude Flower 3
Kaleidoscope #70
Kaleidoscope #71
Kaleidoscope #72
Things
Bare Truth is a captivating collection of portraits of New Zealand men who are humble, courageous and vulnerable. Their photographs expose and reveal who they really are. Their edgy portraits are presented in monochrome to emphasize their shape and form. The simple background eliminates distractions so the viewer can focus on their body language and facial expression.
The combination of using a soft, directional light while adapting a special post-processing technique, enables me to enhance their features so the images are raw and crisp. They look directly into my camera so there is always a highlight in their eyes.
The idea of creating portraits of men who expose their chest evolved gradually. The biggest challenge was finding the first man to agree to pose. After a few rejections and setbacks, I created a portrait of a close friend and became really engaged with the look in his eyes.
At the beginning I asked only family and friends to participate. After gaining valuable experience and formalising a consistent style, I expanded the portfolio and became confident in approaching total strangers. Having a small folio helped in overcoming objections, until the project gained a critical mass with dozens of portraits. I focused on capturing a variety of ethnic groups, poses, age groups and body sizes.
Once the portfolio increased in size, I became more selective and started approaching men who had a more interesting appearance; those whose face tells a story. While some men are very comfortable with having their portrait created, others feel this is completely outside their comfort zone.
The Bare Truth project gained further momentum after selected prints from this body of work won prestigious awards at the Portrait Classic category of the 2015 Iris Awards form the New Zealand Institute of Professional Photography.
The portfolio was later chosen to be exhibited as an Associate at the 2016 Head On Photo Festival in Sydney and as part of the Signature Programme at the 2016 Auckland Festival of Photography.
Many thanks to Ron Brownson, Senior Curator of New Zealand and Pacific Art at the Auckland Art Gallery, who critiqued my initial folio and inspired me to expand it.
