Faces of India
Faces of India is a vivid collection of portrait photos from January 2024. People in the street, at their shops, in the markets and Read More…
Faces of India is a vivid collection of portrait photos from January 2024. People in the street, at their shops, in the markets and Read More…
The train rattled through India, a microcosm of humanity. In my compartment, a grandmother named Parvati sat by the window, her silver hair pulled into a neat bun. She wore a faded sari, its colors muted by years of sun and monsoon rains. Her eyes crinkled at the corners, etched with laughter lines and the weight of countless memories.
Parvati spoke in a lilting dialect—a blend of Hindi and Marathi. She told stories of her grandchildren, their names like sweet melodies: Aarav, the mischievous one who loved climbing trees; Meera, the dreamer who believed in fairies; and little Krish, who had just learned to walk. As she spoke, her hands moved, weaving invisible threads in the air, connecting past and present.
Across from Parvati sat Rajesh, a young man with tousled hair and a perpetual frown. His eyes were fixed on a tattered novel—the pages yellowed, the spine cracked. The book was his escape, a portal to distant lands where dragons roared and starships sailed through cosmic storms. Rajesh’s fingers traced the words, lost in a world far removed from the rattling train.
The chai-wallah, Ramu, navigated the narrow aisle with grace. His tray balanced on one hand, he moved like a dancer—sidestepping luggage, dodging elbows, and offering steaming cups of chai to weary travelers. His stained apron told stories of countless journeys, spilled tea, and hurried conversations. Ramu knew everyone’s preferences—the old man who liked extra ginger, the young woman who preferred cardamom. He served not just tea but warmth, a fleeting connection in this transient world.
Outside, children pressed their faces against the glass, their breath fogging the pane. They watched fields blur by—the emerald-green rice paddies, the mustard-yellow blooms, and the occasional buffalo wallowing in mud. Their laughter echoed through the compartment, bridging language barriers and cultural gaps. For a moment, we were all children, marveling at the world’s simple wonders.
As dusk settled, the train entered a tunnel. Darkness enveloped us, and the rhythmic clatter of wheels against tracks became hypnotic. Parvati hummed an old folk song, her voice blending with the distant whistle. Rajesh closed his book, and even Ramu paused, leaning against the compartment door. We were suspended in time—a collective heartbeat riding the rails.
And then the moon rose—a silver crescent against the ink-black sky. Stars winked like ancient storytellers, whispering secrets of forgotten dynasties and lost empires. Parvati leaned closer to the window, her eyes reflecting the constellations. “Each star,” she said, “holds a tale. Some are tragic, some hopeful. But they all shine, even in the darkest nights.”
As dawn approached, the train slowed. We were nearing our destination—a city of chaos and contradictions. The platform came alive with vendors hawking snacks, beggars seeking alms, and families reuniting after long separations. Parvati gathered her belongings, her hands steady despite the fatigue. Rajesh tucked his novel under his arm, a reluctant farewell to his fictional companions.
And so, with a grateful heart, I stepped onto the platform—a symphony of life, bound by steel and dreams. Parvati smiled, her eyes crinkling once more. “Remember,” she said, “we are all passengers on this journey. Our stories intersect, diverge, and weave together. Cherish the voices you hear, for they echo across time.”
And with that, she disappeared into the crowd, leaving me with the scent of chai, the echo of laughter, and the promise of more tales on the next train ride. 🚂