Four photography sessions are offered by UXBRIDGE ARTS & CULTURE
Improve your photography – Photo Critique: Saturday 20 June 10:30AM – 11:30AM
This workshop will explore your own digital images. Please email 2 or 3 of your own images to firstname.lastname@example.org (2-5 MB). As a group we will look anonymously at each photo and Ilan will critique them from different angles, looking at where improvement could be made.
Improve your photography – Technique: Saturday 20 June 12:00PM – 1:00PM
This workshop will focus on light, setting and poses to maximise your portrait photography. Ilan will show some of his portrait collection of New Zealanders who are humble, courageous and vulnerable. Ilan will use these to share techniques on how to emphasize and observe shape and form to create edgy images that tell a story to the viewer.
Faces of Cairo: Wednesday 24 June, 6:30PM – 7:15PM
In this session you will view and enjoy time to question some images from documentary series ‘Faces of Cairo’ – a tour of the land and it’s people; the streets, the markets the African desert and the path of history. Learn the art of telling a story with a clear narrative style using the lens.
Scapes: Wednesday 24 June, 7:30PM – 8:15PM
Scapes is a series of wide-format prints, exploring the timeless nature of unique locations using sepia tone, which emulates analogue lithographic techniques. This distinct and compelling monochromatic style creates strong images which inspire the imagination and provoke conscious consideration. Discussions on the ‘how’ and ‘why’ are encouraged in this session.
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‘Timid’ is part of a collection of captivating portraits of the Maasai people from Tanzania. I found myself deeply inspired upon meeting the Maasai tribe and realised the opportunity to document their unique culture which is being eroded by Western influence and modern technology. On a personal level, this reminds me of the true value of photography: preserving memories in order to relive special stories and pass them on to others. Through this series of carefully composed photographs, the Maasai people can share their rich culture with the world.
The collection is presented in a film-noir monochrome, capturing these portraits in a classically timeless style; lending a unifying appearance that emulates analogue lithographic techniques. I wanted viewers to focus on the humanity aspect of each portrait: expression, body language, shape and form. I eliminated distracting colours to ensure that viewers focus on the people within the photos and make emotional connections with the Maasai.
This is a documentary collection; most of the photos had little or no retouching. I waited for people to look straight into the camera so we can see highlights in their eyes. The strength of the series is in giving viewers an opportunity to connect with the Maasai people in their natural environment. This diverse group of people serves as a timely reminder that despite our many cultural differences, we can unite as a community through the power of photography. I hope that through this portfolio viewers learn more about the Maasai culture. We are all wonderfully unique, yet at the same time, we are deeply the same.
I aim to depict the Maasai culture in an authentic and honest way, using a clear narrative style which shows the significance of their culture, as well as their individual personalities. My goal is to provoke viewers imagination regarding the traditions of the Maasai people and the stories behind their portraits. In sharing this portfolio, I encourage viewers to show tolerance: to accept all people and to recognise the value of cultural diversity. We would all experience an enhanced sense of community if we took the time to appreciate interactions which allow us to discover the world beyond our familiar boundaries.
Photography is the easiest medium of Art to be competent in but it’s the hardest medium in which to have a truly personal vision. It’s very much like talking: everyone can talk but very few have something to say. In creating my work, I aim to demonstrate a clear style, to tell a story while being imaginative and thought-provoking. My goal is to present work that is strong and distinguished with a clear narrative sense. I wish to inspire people with timeless images that have enduring qualities, to be creative and artistic and to show a personal vision.
In presenting this series, I offer you an opportunity to contemplate and appreciate the juxtaposition between human and nature: soft flesh and harsh environment; life and stillness; white and black. The use of monochrome emphasises the nude shape and form, removing distracting elements to ensure that you focus on the beautiful feminine body language. These photographs portray powerful and independent women who are depicted through fresh, inspiring and original artwork.
Ko Te Mata te Maunga, Ko TukiTuki te awa, Ko Gareth McGhie Toku Ingoa.
I am an Artist and Carver from Wellington NZ although I am originally from Hawkes Bay, Te Whenua o Ngati Kahungunu.
I am the product of my ancestors and the sum of my life experiences so far.
Although my Tattoo work does not define me, it illustrates that ancestry and those experiences.
It is my responsibility in life to make good use of the gifts I have been given and to try as best I can to pass those on to others.