Delighted to win four Awards out of four print entries at the 2019 Australian Professional Photography Awards [APPA] by the AIPP. Established in 1963, AIPP promotes the profession of photography, enhancing the skill and knowledge of professional photographers. APPA is largest awards for professional print photography in Australia. A panel of five expert judges are looking for exceptional images that inspire and impress: images that exhibit visual and emotional impact, innovation and creativity. APPA is awarding prints that demonstrate excellence in skill, craftsmanship and conceptual development of an idea.
Woman on a Tree is an exploration of opposing forces: life and death, young and old, power and vulnerability, soft and hard. Its pertinence lies in the symbolism of contradictions. Contradictions are all around us. Humans continue to exploit and overwhelm the natural environment with industrial pollution despite global warming, and its ever present impact on earth. The dead tree, scarred from fires, represents mother nature’s vulnerability to the forces we inflict upon her. I explore the paradox that humanity needs trees to live, yet we keep cutting them down. Despite the beautiful environment being subject to incessant abuse, western society considers itself to be thriving, ignorant to greater issues. The interaction between the human form and the tree is like a love dance. An intimate moment, where the body caresses the tree and with that, offers a gentle apology, a moment of compassion. Humans can empathise with nature’s scars. We have scars too. Some are visible and others are hidden: scars from neglect, abuse, addiction or violence. We have the power to conceal our scars yet the tree is forever exposed. This woman is bare, reflecting the state of the tree. Demonstrating that despite paradoxical contradictions which taint our relationship with earth, we can still find comfort, as she does here. Comfort in one’s skin and comfort in the company of nature. The story that accompanies this piece invites the viewer to reflect on their own identity politics, creating a moment to contemplate our complex relationship with nature. I depict the woman in her most natural state, one with nature. By embracing the human form in all its glory and portraying the woman and tree side by side, it is my vision that the viewer embraces nature as a precious ephemeral organism that needs to be cherished and protected.
”I was diagnosed with grade 3 aggressive breast cancer in January 2016. My family has the BRCA1 mutation. Each child of a carrier has a 50% chance of inheriting the gene and each carrier has extremely high risk of cancer. Five of my six great aunts died of cancer by their forties. I had four different chemotherapy drug treatments as well as radiation treatment. Luckily, I had a positive response to treatment and the 5 cm tumour was totally destroyed. I underwent bilateral mastectomy with a two phase silicon reconstruction as well as a total Salpingo-oophorectomy. I also had a hysterectomy surgical operation to remove my uterus. Knowing I have beaten what by nature ought to have been certain death, gives me a sense of immediacy and urgency in life. There is no sense in waiting or hesitating because there is no guarantee of tomorrow!”
This image represents drought. Climate change has brought drastic changes to many regions on earth. Global warming is causing severe drought. Huge areas that were once fertile are no longer suitable for agriculture. Millions of people are already impacted by these catastrophic changes. A deadly civil war in Syria has erupted when the government decreased the allocation of irrigation water to farmers. Vast regions in Iran are no longer cultivated and the population is helpless. They cannot grow any fruits or vegetables. The earth is dry and so is the woman’s skin, both are cracked. The woman is bare, she is completely exposed – just like our land. This is a desperate call to stop the devastating impact of industrial pollution on our planet.