Faces of Humanity exhibition clip
Artist Statement
Faces of Jerusalem Artist Statement
Beggars and scholars, slaves and warriors have all walked the narrow streets of the Old City of Jerusalem. In early 2015, Auckland Photographer of the Year Ilan Wittenberg set out to capture the stoic nature of its inhabitants. The result is a compelling collection of portraits – ‘Faces of Jerusalem’ – which will go on display at Te Uru Waitakere Contemporary Gallery.
Born in Israel, Ilan has visited the UNESCO World Heritage site on numerous occasions. However, it was during a recent family trip that the idea to produce a portfolio of portraits (for his fellowship application to the Photographic Society of New Zealand) first took form. Not wanting to hold up the family, Ilan returned by himself in January 2015 and spent days exploring the winding, cobbled streets and tiny, dimly lit shops of the Muslim, Jewish, Armenian and Christian quarters.
While his collection of striking monochrome images captures a range of people going about their daily lives, it was the city’s merchants that Wittenberg was particularly drawn to. “Many people are not happy, you can see that,” says Ilan, “but that’s for good reasons: the economy is down. There are very few customers and very little foot traffic because there is a lot of stress in the streets. Wars, religious tension and the ongoing political conflict scare the tourists away.”
Wanting to create quick rapport and a relaxed environment, Ilan introduced himself as a New Zealander (which he has been since arriving in the country in 2001). “Oh Kiwi, welcome” would be the typical response, which cleared the opportunity to create a photograph. Where language permitted, he engaged his subjects in further conversation, to produce more engaging portraits than candid documentary photography usually does. “These photos were taken without a flash or a tripod, using ambient light only. I chose to present the prints in monochrome to eliminate distracting colours and help focus the viewer’s attention on the people, their body language and their expression. The sepia tone also provides a timeless atmosphere to the images, which reflect the rich culture and turbulent history of Jerusalem.
His journey as a photographer started relatively recently in 2011, but Ilan has already been given the honour of Fellow of the Photographic Society of New Zealand as well as a Master of the New Zealand Institute of Professional Photography. Selected prints from ‘Faces of Jerusalem’ portfolio contributed to the body of work that won Wittenberg the prestigious title of NZIPP 2015 Auckland Photographer of the Year. The collection also took first place in the Documentary Book section of the 2015 Moscow International Foto Awards, a competition that attracted entries from 84 countries.
‘Faces of Jerusalem’ was exhibited at Te Uru Gallery from February 20 to May 1.
In August 2016, Ilan won the title Travel Photographer of the Year by the Cathay Pacific Travel Media Awards which are organised by Travcom (New Zealand Travel Communicators) to celebrate excellence in travel writing and photography.
The photography awards were judged by a panel of three; Rob Lile, director of One Shot image library, Jenny Nicholls, Art Director for North & South magazine and Tessa Chrisp, past winner of the Cathay Pacific Travel Photographer of the Year Award. The Travel Photographer of the Year is judged on the entire portfolio of published work.
Rob Lile said: “This year a clear and unanimous favourite appeared amongst the many images put forward for the scrutiny of a tough judging panel. While there were many images that caught our eye and invited second and third viewings, one series stood out, indicating the work of a master visual storyteller. Ilan’s images transported us to centuries-old locations to examine modern lives intertwined with layers of time. They displayed patience and sensitivity as a storyteller becomes immersed in the worlds of people going about their ordinary daily lives, as unobtrusively as possible. His presence is accepted; images are not overtly posed nor awkward and each subject is entirely comfortable with the interaction. The creative journey continued through careful post production, printing and mounting, all reflecting the skills of a professional determined to present his vision as perfectly as possible. This was a powerful series that will live in our minds for a long time.”
Additional Links
In April 2016, Faces of Jerusalem was featured is issue 53 of the prestigious f11 Magazine with 38 pages covering the portfolio.
Check out D-Photo magazine article from September 2016: Within the walls of the Old City
Listen to Standing Room Only with Lynn Freeman (10’51”): RNZ Interview
Photos from the exhibition Opening Event
Waiake Beach
Ahhh, these awesome rocks and those beautiful clouds…
That’s what happens when I scout for a location with some character and drama.
looks out to the Tor, a presque-isle at the north end of the beach that becomes an island at high tide.
Presque-isle (from the French presqu’île, meaning almost island) is a geographical term denoting a piece of land which is closer to being an island than most peninsulas because of its being joined to the mainland by an extremely narrow neck of land.
Edgy Helen
Edgy Photography Auckland
Edgy Photography Auckland
Edgy Photography Auckland
Edgy Photography Auckland
Helen and the Snake
Helen’s Look © Ilan Wittenberg 20013, Limited Edition of 9 + 2AP Order Now
The Diving Mask
Helen
Mary
Mary
Mary is 85, originally from Ireland. I chat with Mary every time we meet on my daily walks around Castor Bay. She was born in 1936 to a Catholic family of eight children (Mary was number five after four boys). Mary’s mom had to find a job when her father died and she taught orphans in a monastery. She wanted to be a teacher, but eventually found a job in a large department store in Belfast where she met Mary’s dad. Mary’s dad was an active member of the IRA (as you would) and when the conflict with the United Kingdom 🇬🇧 monarchy (God Save the Queen) ended, he became a policeman.👮♂️ “Those days women lost their jobs when they got married”. Mary wanted to become a nurse 👩⚕️ so went to England to study “it was free because the English government wanted the Irish girls to become nurses”. After getting married, Mary and her husband immigrated to New Zealand when she was 22. Knowing how to use a typewriter, Mary found a an office job when arriving to New Zealand. Five years later she had three kids who all live here. “Life was simpler then”, she says. “You would grow your own veggies in the backyard”. People need to move to the countryside. She apologised for holding the ☔ umbrella to protect from the rain.
The Gargoyle
The Gargoyle © Ilan Wittenberg 20013, Limited Edition of 9 + 2AP Buy Now
I was determined to photograph the gargoyles that guard the Notre Dame cathedral in the heart of Paris. My first attempt failed when the guard said no more visitors for the day. My second attempt failed because the guards went on strike! This photo was taken on my third attempt to see these stone-monster marvels! Some of the gargoyles laugh, one spits, others look bored, feed on prey or they grimace. Standing stoic and proud, these mythical birds and hybrid beasts are eerie witnesses to history. Catching a personal glimpse of these silent grotesque creatures was one of the highlights of my visit to Paris, and well worth the 387 steps climb to the top when the cathedral is restored and opens to the public again. This one is actually a Grotesque. Gargoyles are the ones that spout water from the roof. These awesome creatures were added during the reconstruction of the church in the 1840s. When the Nazis invaded the country during World War II, the gargoyles stood strong, withstanding a four-day German siege on the church. This print was awarded Bronze medal at the NZIPP Iris Awards!
Taylor Blake
Taylor Blake
Lying Down
Lying Down
Woman on a Rock
Woman on a Rock
Dead Wildebeest
Dead Wildebeest
Man with an Apron
Man with an Apron
Hippopotamus
Hippopotamus
Roma and Emmanuel
Roma
I struggled with identity,
I still do, but I’m learning.
I’ve always struggled with mental health issues and after going through multiple violent trauma and being Passed around a very flawed mental health system, a few years ago finally I got diagnosed with borderline personality disorder, which is 110% a completely misunderstood disorder to say the least.
It can affect multiple aspects of your life and is different for everyone who experiences it. For me, my sense of self and emotional control and thought patterns are mostly affected.
Which means I can be very reactive to situations, sometimes more than what’s accepted by others and always more than I wanted to.
My thoughts can get mixed up because there are too many, or I have one thought that does not leave my mind and it can become an obsession.
Knowing who I am as a person and what I want can also be challenging.
I teach children’s yoga and mindfulness as it was something that helped me when nothing else could and to hopefully set up our kids for an open minded self-accepting future with skills, tools and the ability to cope better with the roller coaster of our emotional stressful lives.
I like to model so I know exactly who to be at that moment.
I find it freeing, almost trapping myself in a ‘character’ or a ‘setting’ you could say.
For a short period of time I know what to do, who to be and how to do it.
I said yes to taking part in this display of beautiful women for the chance to feel like I am exactly who I am meant to be for a short period of time.
To empower other women to feel like they can be themselves not just for a short period of time but all of the time,
To feel beautiful and strong, ugly and weak, put together and messy all at the same time because that’s what life is and we should be so fucking proud of it.
You can’t have one without the other.
You may not be able to have everything you have ever wanted.
But you can have your own slice of perfection and that perfection is you.
