Tag Archive for: Award winning photographer

Rocks!

Rocks

William Maealiuaki Tu’ihalafatai Taufa

Portrait Photographer Auckland

William Maealiuaki Tu’ihalafatai Taufa

Malo e lelei, Greeting.My name is William. My middle name is Maealiuaki Tu’ihalafatai and last name Taufa. I’m 38 years old. I’m Tongan. My father from Hofoa, Tongatapu Is. My mother from Futu, Niuafo’ou Is. I was born and raised in Angaha, Futu, Eua Is. I’m the fourth out of six. I have two sisters and three brothers.
I married to this beautiful lady named Lupe Tu’atonga. God blessed my wife and I with four beautiful children. Two boys and two girls.
All my tattoos represented my family, especially my beautiful wife and kids.
I love art and sport. I love music. I love food. My favourite food is taro leaves, lamb chopped with coconut. My big dreams when I was a kid was to be an architect and a photographer cause’ I love art. I like to have an admiration and ask myself questions for looking at the beauty of the creation of our God. I always thank God every day for beauty He created in us. How Great Ghou Art.

The Tortoise Queen

Beautiful Rose

Nude Photography Auckland

Nude Photography Auckland

Portrait Photographer Auckland

Muriwai Gannet Colony

Gannet Colony - Muriwai, Auckland, New Zealand

Gannet Colony – Muriwai, Auckland, New Zealand

Threefold Group

Portrait photography Q&A seminar

Kimberley 2

Vendy II

Rock Pool

Guy Williams shortlist

Gin Mandala

Glamour at Castor Bay Beach

Glamour at Castor Bay Beach

Glamour at Castor Bay Beach

Glamour at Castor Bay Beach

Glamour at Castor Bay Beach

Mike Watson

Auckland Portrait Photographer

Mike Watson

My story is full on, but it’s a journey which has made me stronger and got me to where I am today.

It began with my move up north to live with my then girlfriend.  What I thought was going to be a mutual partnership turned out to be an expectation to become an instant dad overnight which at the age of 30 I wasn’t ready for.  I was suddenly paying $500 p/wk in rent, working all day to bring home the paycheck, cooking and cleaning, making dinner – doing the works without any reciprocation.  While I don’t mind contributing in a relationship, these expectations were too much for me, especially as I was recovering from stomach cancer at the time.  The relationship deteriorated, resulting in me being kicked out overnight, causing me to live in my truck for a week without food or money.

I took a job that paid me 50% less than normal.  It was disheartening, but I had to survive.  This job also meant working 40hrs a week, but only getting paid enough to cover rent and buy five pies a week to keep me fed.  This was during lockdown, so I ended up moving 4 times over this period in a state of alert.

The day before my birthday, after driving from Mangawhai to the Mount to collect some belongings, I crashed my Ute after doing a 9hr day on the building site and 4 hours of driving.  Along with the exhaustion, alcohol was a factor. I made a poor choice, but at the time, all I could think of was driving home or paying for a taxi and going hungry for a week.  I chose to ensure I was still fed so I had the energy to work and get back on my feet. It was the wrong choice.  When I crashed my truck, I died and had an out of body experience.  I flew around my truck looking at my body as it hung over the steering wheel for 3 minutes.  That’s a moment I’ll never forget.

As a result of the crash, I lost my license, my transport, my tools and my job (around $70K worth) and went hungry for another two weeks.  To add to the stress, I had $1000 worth of bills to find a way to cover, with no way of working to help ease the burden.

I knew my life couldn’t continue on this trajectory.  I needed to make some positive changes.  I made a choice.  I decided in addition to focusing on my building business, I also needed to focus on my health, both mentally and physically.  I had gone through a lot, including working 18-hour days for the last year without any help of support from anyone, knowing I was very lucky to be alive.

I also needed a more permanent place to live. I don’t know if it was the negativity energy that was hanging around me at that time but I couldn’t seem to find a place to be settled.  I kept moving into places that didn’t last and having to move out again.  The repetitive cycle of sleeping in my car, going hungry and living paycheck to paycheck continued.

While this was happening, my business was taking off.  I had 6 staff and 3 jobs on the go.  But running a business while living in your car which was parked outside your gym, is not sustainable.  I started expanding my business with the hope to sell cabins to pay for a place to live, food on the table and a new truck.  My hard work paid off and I successfully expanded my business, my health improved, and I found a new place to live (I move in next week).  I don’t know what the future holds, but I do know that I have lived a lifetime in the last few years.  But I have also come out stronger.  I have never stopped moving forward, and by refocusing my life, I have become someone that I am proud of today.

Edgy Portrait

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Beautiful Fernanda

Nude Photography Auckland

 

Otago Daily Times: Olive Baboon

Fine Art Photography

Olive Baboon at the 2020 Dunedin Art Show

Awesome to have my Olive Baboon featured as part of The 2020 Dunedin Art Show! Had to put on my cheese cutter hat for this portrait opportunity ? Grateful to John and Kate who kicked my bum to take part in this wonderful event.

Beautiful Antonia

Nude Photography Auckland

Antonia

Nude Photography Auckland

Nude Photography Auckland

Juxtaposition

Award winning professional photographer Auckland

Silver Award for Juxtaposition  in the Portrait category of the 2020 Rise Photography Awards, Silver at NZIPP 2020 Iris Awards, Landscape in Camera category

Yawning Camel

Giza Pyramids, Cairo

Nominee at the 15th Annual Black & White Spider Awards

15TH ANNUAL BLACK AND WHITE SPIDER AWARDS HONORS PHOTOGRAPHER ILAN WITTENBERG FROM NEW ZEALAND

LOS ANGELES, November 11, 2020 – Professional photographer Ilan Wittenberg of New Zealand was presented with the 15th Annual Black and White Spider Awards Nominee title at a prestigious Nomination & Winners PhotoShow.

The live online gala was attended by industry leaders and the photography community from around the globe who logged on to watch the climax of the world’s premier event for black and white photography. 15th Annual Jury members included captains of the industry from Musee de l’Elysee, Lausanne; Sotheby’s, London; Travel/Discovery Channel, New York; Kunsthaus Zurich, Switzerland; Portuguese Center of Photography, Porto; Aeroplastics Contemporary, Brussels; The Guardian, London; Contrasto Galleria, Milan; ADK Creative One Inc., Tokyo; Hiroshima MOCA, Japan; MACBA, Barcelona; and Pereira O’Dell in New York who honored Spider Fellows with 610 coveted title awards and 919 nominees in 32 categories.

“Simply Stunning.” Justine Gruser, Specialist at Sotheby’s commented. Bernardino Castro, Director at Portuguese Center of Photography (CPF), Porto said “The amazing quality of the images in the competition made it very difficult to select the winners. I would like to reinforce the relevance and impact of Black & White Spider Awards as a mobilizing agent in promoting the production and dissemination of excellent photography at an international level.” Christopher Doyle, Creative Director at Travel Channel/Discovery, New York added, “Always look forward to the way in which these photographers see the world in a unique and curious way.”

“It’s an incredible achievement to be selected among the best from the 6,378 entries from 69 countries we received this year” said Basil O’Brien, the awards Creative Director. “Ilan’s Yawning Camel,” an exceptional image, represents black and white photography at its finest, and we’re pleased to present him with the title of Nominee.”

BLACK AND WHITE SPIDER AWARDS is the leading international award honoring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in black and white photography.

No one knows how the Pyramids were built. It is one of the biggest mysteries ever. The Great Pyramid of Giza weighs 6 million tons. Its footprint is that it covers 13 acres. Its length along each side is 750 feet, and 481 feet tall. Half a million blocks were used in its construction. There are 144,000 casing stones, all highly polished and flat to an accuracy of 1/100th of an inch, about 100 inches (or 8 feet) thick and weighing about 15 tons each with nearly perfect right angles for all six sides. More importantly than its size, is its mathematical precision and its earth-grid coordinates locking it in to cardinal True North, so precise within 3/60th of a single degree! The pyramid incorporates the astrological dimensions of the planet.

When you take the height of the Pyramid and multiply it by 43,200, you get the Polar Radius of the Earth! When you take the base or perimeter of the Pyramid and multiply it by 43,200, you get the Equatorial Circumference of the Earth!
So, for thousands of years, this amazing monument has encoded the precise dimensions of the planet on a scale of 1 : 43,200. This is not a random ratio. It is indexed to the Earth’s wobble, and the Precession of the Equinoxes that accounts for 1 degree of movement every 72 years, (and 72 is a factor of 43,200, that is, it is divisible into this number by 600 times). It also relates to the number of seconds in a day which is 60 x 60 x 24 = 86,400
which is double this number of 43,200. Where did this space-age data and precision come from? For these many reasons, it is farcical or even stupidity to think that slaves built the pyramids. The average stone block was about 2.5 tons, but some blocks were actually over 70 tons. How could slaves have raised these large blocks 300 feet above the ground? The conclusion is that there must be a lost civilization that we have either forgotten about, or our history books have censored this knowledge which threatens the current and misinformed archaeological reality.