Tag Archive for: Fine Art Photography

Stretching

Nude Photography Auckland

Stretching

Woman on a Rock

Fine Art Photography

Woman on a Rock

Wayne and Jennie

Faces of Humanity

Queen Deemi

Faces of Humanity

Queen Deemi

Muriwai

Muriwai

Gannet Colony © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Shop Now

Muriwai gannet colony is about an hour drive from Auckland. A short walking track from the car park leads to two viewing platforms which are located above the colony nesting site. The colony continues on two steep islands out to sea. Around 1,500 pairs of gannets nest there during August to March every year. The hundreds of nests are just very slightly apart and the stink is sharp. It’s a feast to the eyes (or an air-traffic controller’s nightmare), but the birds have it under control somehow. The birds descending to land must glide over their neighbours squawking raised beaks, so getting it wrong can be extremely painful for all involved. These 2 ½ Kilogram heavy birds have a wingspan of almost two metres, and their mastery of the onshore updrafts is an understatement impressive to say the least. Each pair of gannets lays one egg and the parents take turns on keeping the nest safe. The chicks hatch completely naked and within a week they’re covered with a fluffy gray down. As they mature, they grow juvenile light feathers and begin to exercise moving their wings in preparation for a one-shot jump off the cliff and into the ocean. Once airborne, the young gannets leave the colony and cross the Tasman Sea all the way to Australia, across the ditch. A few years later, the surviving birds return to secure a nest site at the colony. The gannets return from Australia between July to October each year and connect again with their lifelong companions. The new chicks strive for food in December and their parents dive into the sea at up-to 150 kilometres per hour to feed their young birds. The colony becomes abandoned from late autumn to early winter: May to June. The views from the colony are totally breathtaking. Muriwai Beach extends a further sixty kilometres to the north with a line of black sand visibly between the thundering white surf and the cascading sandy hills. Far below, enthusiastic and bold surfers look like seals on the giant ocean swells.

True facts about the gannets – check out this triptych!

  • The gannets predominantly feed on small fish such as baby squid, pilchards, yellow eyed mullet and anchovy.
  • The gannets lay a single egg around September, October or November
  • Incubation time is around forty four days
  • Chicks will stay in the colony until February to March and leave when they are around four months old.
  • After weeks of furious and extensive flapping their wings on land, the first flight of the juvenile birds takes them more than 2,000 kilometres away to their destination!
  • Wingspan up to 180 cm (6 ft)
  • Overall length 90 cm
  • The birds then migrate to Australia and return after three to seven years
  • Gannets feed by diving from high up into a school of fish near the surface of the water at speeds of almost 150 kph. Just before hitting the water, they hold their wings out straight and bend them so they’re pointed completely backwards so they don’t get injured when hitting the water at high speeds. They also take a large gulp of air, which fills the air sacs located in their neck and chest, providing cushioning just like an airbag in a car during impact.
  • Gannets live to around thirty years old

2021 Nelson Triptych Salon

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Flying Away   © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Buy Now

 

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The Maasai People   © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Buy Now

 

Petals   © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Shop Now

 

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Edgy Meg  © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Buy Now

 

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Metro-Goldwyn-Mayer © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Buy Now

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Botticelli © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Buy Now

Helen Main

Nude Photography Auckland

Helen

Trigger Warning: Discussion of physical & emotional abuse.

This comes as a surprise to some people (sometimes I reflect back in total disbelief – it’s easy to think it wouldn’t happen to you) but this time 5 years ago I was trying to leave an abusive relationship. Over the space of 12 months I had made multiple attempts to leave. I couldn’t tell you why I’d go back each time, only that the general belief, held by all parties was that it was all I deserved. 

How did I end up there? I was an intelligent, strong willed young woman who had very clear views about domestic abuse & those who inflict it. But, although I didn’t really acknowledge it, I was, at that point in my life very alone. I had few close friends, and this was complimented by a distant relationship with my family & not much in the way of self-worth.

I was so desperate to be loved, to be chosen, that I ignored the early red flags (I called myself difficult & needy instead). He charmed me – nice dinners, a holiday, buying me clothes etc. But when he moved in with me, things started to slip, slowly at first.

I remember the first time we really fought. A neighbour called the cops. He played nice to them & angrily blamed me for it later. If I had only not gotten upset, he wouldn’t have gotten angry at me. I cringe now when I think of how I grovelled & apologised to him. 

 Every fight we had would cripple me with shame & self-hatred. I was reading every article I could on healthy relating. I went to therapy to try and isolate the problem in myself so I could cut it out & patch myself back together. I thought if I could fix myself, he would stop getting angry with me. If I could just stop being difficult, he’d stop cutting me off, refusing to talk to me for days at a time or kicking me out at all hours of the morning.

But you can’t fix a relationship by yourself, and you can’t heal yourself in order to stop someone else hurting you.

 It took him two years to hit me. The first thing he did after he whacked me was tell me it was a mistake & to not tell anyone. And I didn’t, not for months. Not until well after I finally got out.

He only hit me once. I wish I could say that that was because I left, but it was because he seemed to prefer other tactics – dragging me over furniture to kick me out, holding me against the wall by my throat, once he even picked me up and physically threw me onto the concrete outside, amongst other things.

I list all these physical things, but in honesty, those things were secondary to the verbal & emotional abuse & the scars it left.
I still experience emotional flashbacks, triggered by any number of things – some identified, some which take me by surprise – in which it’s as if I shift into a dual existence, with the memories & emotions overlaying reality like a double exposure photograph, and my mind will react to the Now as if it was the Then. It’s exhausting & confusing and sometimes lasts for hours.

 I still get panicky if someone misunderstands me and sometimes if people react in a neutral, emotionless manner (especially in a romantic relationship) my reflex response is fear. Its frustrating & difficult, I often feel sorry for those who have had to deal with me in my darkest moments.

I wish I could be more upbeat about it all, and say I’m now a happy, confident woman with a loving husband & a house full of animals but recovering from these kinds of things is a long & difficult road. In saying that I’m slowly healing. I’m in therapy &n the progress I’m making, uneven as it is, is leading me into a world where I can be vulnerable with others, feel safe expressing myself & enjoy authentic connections with a selection of truly wonderful friends.

 I also have a career as a personal trainer & pole dance teacher. I love my work and am hugely passionate about creating a safe space for others to get in touch with their bodies, express themselves & explore their physical potential – all things I found immense value in as I was putting myself back together. 

I don’t have any advice for those affected by abuse that isn’t talked about more articulately elsewhere. Removing yourself from abusive dynamics is never as simple as it might seem from the outside, and it follows that advice that works for one person won’t work for another. All I can say is – try to hold onto your Self, in whatever capacity you can & when you are ready to make the move, you will know. The road out is tough, but every step is worth it.

 

Leon

Portrait Photography North Shore

Who is the Boss?

Bulldog

‘Who is the Boss?’ Gold medal at the 2021 North Shore National Salon of Photography

In one of my visits to the Takapuna Sunday market I was chatting to a woman who was selling life-size wooden bulldogs. I made a smart comment about people who purchase wooden dogs and she said that she owns a real one. A week later she visited my studio together with her daughter. Being so heavy, the dog would not climb and kept drooling so they both made a huge effort to lift him off the floor and onto the armchair. The image sat in my collection until I trespassed into this fire damaged house in Sunnynook!

2021 Iris Awards

2021 Iris Awards

2021 Iris

2021 Art In the Park

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Baby Rhino © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

The Gargoyle © Ilan Wittenberg 2015 Limited Edition of 9 + 2AP Buy Now

Zebra Looking Down © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Yellow Twigs © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Yawning Camel © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Woman on a Tree © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Willow tree and Moon © Ilan Wittenberg 2016 Limited Edition of 40 + 2AP Buy Now

Fine Art Photography

Who is the Boss? © Ilan Wittenberg 2021 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

War of the Worlds © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Volcanic Ash © Ilan Wittenberg 2016 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Three Proteas © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

The Nymph © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Two trees in the Savanna © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Tunnel Beach © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

The Jetty © Ilan Wittenberg 2018 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

The Huntress © Ilan Wittenberg 2018 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

The Empire State © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Temptation © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Sitting on the Rocks © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Silo Six © Ilan Wittenberg 2015 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Scapes © Ilan Wittenberg 2017 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Remarkable Rocks © Ilan Wittenberg 2016 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Yellow Baboon © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Nude Mandala © Ilan Wittenberg 2018 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Technicolor © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Nine Daemons © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Drought © Ilan Wittenberg 2019 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Piazza del Campo © Ilan Wittenberg 2015 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

On the Rocks © Ilan Wittenberg 2021 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Juxtaposition © Ilan Wittenberg 2021 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Hand in the Sand © Ilan Wittenberg 2021 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Embracing © Ilan Wittenberg 2019 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Cracked © Ilan Wittenberg 2019 Limited Edition of 9 + 2AP Buy Now

Fine Art Photography

Convergence © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Cumulonimbus © Ilan Wittenberg 2020 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Climbing Up © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Fine Art Photography

Brooklyn Bridge © Ilan Wittenberg 2018 Limited Edition of 30 + 2AP Buy Now

Staging Art

 

Fine Art Photography

Silo Six: Entrance / Foyer wall 1

Entrance / Foyer wall 1

Fine Art Photography

Blue Sphere -Entrance, wall 2

Entrance, wall 2

 

Fine Art Photography

Willow Tree and Mood: Lounge

Lounge 1/2

 

Fine Art Photography
War of the Worlds: Lounge 2/2

Lounge 2/2

 

Fine Art Photography
The Jetty: Stairwell – Top level

Stairwell – Top level

 

Fine Art Photography ?
Blue Light: ?

 

Fine Art Photography
Brooklyn Bridge: bedroom 1

bedroom 1

 

Fine Art Photography
Yellow Twigs: ?

 

 

Fine Art Photography
Abstract Kaleidoscope: Lounge, above fireplace

Lounge, above fireplace

 

Fine Art Photography
Boat Graveyard: Top of staircase landing

Top of staircase landing

 

Fine Art Photography

Dining room – horizontal layout

Dining room – horizontal layout

Who is the Boss?

Who is the Boss?

Gold medal for ‘Who is the Boss?’ at the 2021 North Shore National Salon of photography – Prints Open

The Cave

Nude Photography Auckland

Silver medal for ‘The Cave’ at the 2021 North Shore National Salon of photography – Monochrome category

Devi

Nude Photography Auckland

Nude Photography Auckland

 

 

Brooke

Fine Art Photography

The Tin Soldier Ballerina

The Steadfast Tin Soldier The Steadfast Tin Soldier The Steadfast Tin Soldier The Steadfast Tin Soldier The Steadfast Tin Soldier

 

“The Steadfast Tin Soldier” is a literary fairy tale by Hans Christian Andersen about a tin soldier’s love for a paper ballerina. The tale was first published in October 1838 in the first booklet of Fairy Tales Told for Children. It has since been adapted to various media including ballet and animated film.

On his birthday, a boy receives a set of 25 toy soldiers all cast from one old tin spoon and arrays them on a table top. One soldier stands on a single leg because, as he was the last one cast, there was not enough metal to make him whole. Nearby, the soldier spies a pretty paper ballerina with a spangle on her sash. She, too, is standing on one leg, and the soldier falls in love. That night, a goblin among the toys in the form of a jack-in-the-box, who also loves the ballerina, angrily warns the soldier to take his eyes off her, but the soldier ignores him.

The next day, the soldier falls from a windowsill (presumably the work of the goblin) and lands in the street. Two boys find the soldier, place him in a paper boat, and set him sailing in the gutter. The boat and its passenger wash into a storm drain, where a rat demands the soldier pay a toll.

Sailing on, the boat is washed into a canal, where the tin soldier is swallowed by a fish. When this fish is caught and cut open, the tin soldier finds himself once again on the table top before the ballerina. Inexplicably, the boy throws the tin soldier into the fire, which is most likely the work of the jack-in-the-box goblin. A wind blows the ballerina into the fire with him; she is consumed by it. The maid cleans the fireplace in the morning and finds that the soldier has melted into a little tin heart, along with the ballerina’s spangle, which is now burned black as coal.

Eleanor On the Rocks

Portrait Photographer Auckland

Portrait Photographer Auckland

Portrait Photographer Auckland Portrait Photographer Auckland   Portrait Photographer Auckland

Melissa on the rocks

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland

Nude Photography Auckland Nude Photography Auckland

Um Kalthoum at Cairo

Travel Photography - Cairo  Travel Photography - Cairo Travel Photography - Cairo Travel Photography - Cairo Travel Photography - Cairo

Travel Photography - Cairo

Travel Photography - Cairo