Tag Archive for: Monochrome

Maddi

Nude Photography Auckland

Maddi

Poppy

Nude Photography Auckland Nude Photography Auckland

Kiri

Madison Dewalt

Nude photography Auckland

Nude Photography Auckland

Nude photography Auckland

Nude photography Auckland

 

Nude photography Auckland

Nude photography Auckland

Nude photography Auckland

Sophie!

Nude Photography Auckland

Beautiful Aimee

Portrait Photographer Auckland

Nude Photography Auckland

 

Nude Photography Auckland

Nude Photography Auckland

 

Scapes

Dramatic and extraordinary landscapes from around the world. In this series of wide-format images, I explore the timeless nature of unique locations using colour and sepia tone, which emulates analogue lithographic techniques. The compelling monochromatic style creates strong images which inspire the imagination and provoke conscious consideration. Through this portfolio of striking photographs, I present my artistic perspective of the world using a clear narrative style. These photos of beautiful scenery evoke a desire to visit foreign places and to experience their distinct atmosphere(click here to view Auckland Festival of Photography page).

Yawning CamelThe most famous Egyptian pyramids are those found at Giza, on the outskirts of Cairo. Several of these pyramids are counted among the largest structures ever built. The Pyramid of Khufu is the largest one and is the only one of the Seven Wonders of the Ancient World still in existence.

 

Landscape Photography

Church of the Holy Sepulchre

The “Christ Pantocrator” mosaic is glowing beautifully on the ceiling at the Church of the Holy Sepulchre in the Old City of Jerusalem. I placed my camera’s back on the floor with the lens pointing up to create this awesome perspective. I took this photo back in 2014 and when I visited the church again in 2020 the floor area was fenced off.

 

Nesher Cement Factory

Nesher Cement Factory

This cement factory in Israel operates nonstop 364 days a year. Nesher’s main plant is one of the largest cement plants in the world. I saw the bright lights on numerous occasions as I drove back from Jerusalem to Tel Aviv and just had to visit the location. I parked my car right outside the gate in pitch darkness and climbed the soft dunes beside it to get a prominent vantage point.

 

Water Stop Tower

Water Stop Tower

Remnants of a Turkish railway station water stop tower Nitzana, Israel.

The Church of the Holy Sepulchre

The Church of the Holy Sepulchre

The Church of the Holy Sepulchre is located in the Christian Quarter of Jerusalem Old City. According to traditions dating back to at least the fourth century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, and Jesus’s empty tomb, where he was buried and resurrected. The tomb is enclosed by a 19th-century shrine called the Aedicula showing at the bottom of this photo. Within the church proper are the last four stations of the Via Dolorosa, representing the final episodes of the Passion of Jesus. The church has been a major Christian pilgrimage destination. The technical challenge is to compensate for the bright highlight of the opening together with the beautiful dark stone.

The Puzzle

The Puzzle

In this is composite set we are looking up at the ceiling of Silo Six, in Wynyard quarter at Auckland waterfront. I created these photos on my first visit to the silos and was amazed with edgy texture of the exposed concrete. Each of the silos is 7.4-meter diameter and they were used to store cement in the sixties. I held my first photo exhibition inside this beautiful structure. I love experimenting with patterns to create an illustration out of real-life objects. I find the process of creativity improves my skills to see the world in a different and unique way. It only works if the images are complementing each other in synergy.

Landscape Photography

Vancouver public library – Canada

Located in Downtown Vancouver, the city’s grand central library looks awesome, with a colonnaded surround reminiscent of a Roman amphitheatre. I was lucky to visit the site early morning before rain started to fall and love the grungy look of the exposed concrete.

Landscape Photography

Temple Mount – Dome of the Rock – Al-Aqsa Mosque – The old City of Jerusalem

located on the Temple Mount in the Old City of Jerusalem, The Dome of the Rock is one of the three holiest Islamic shrines in the world. It was initially built in 691 on the site of the Second Jewish Temple and destroyed during the Roman Siege of Jerusalem. The original dome collapsed in 1015 and was rebuilt in 1023. Being one of Jerusalem’s most recognizable landmark it is a UNESCO World Heritage Site. According to belief, the rock inside the mosque is the spot from which the Islamic prophet Muhammad ascended to Heaven accompanied by the angel Gabriel. Usually packed with tourists and locals, I was the only one to visit the site early morning when the forecast was for snow. It was so cold that there was no one on site and I could get a beautiful reflection off the wet marble stones just before the storm.

Landscape Photography

Scapes

I saw this stunning array of tiny houses at NGV International in Melbourne. The artwork had a single spotlight that rotated continuously. I placed my camera very low and captured the stark shadow without any clutter in the background. This image won a Silver medal at the North Shore Salon national competition.

Mohamed Ali’s Mosque 

Mohamed Ali’s Mosque , Cairo

 

Mohamed Ali’s Mosque 

Mohamed Ali’s Mosque , Cairo

This is the courtyard of Mohamed Ali’s Mosque in Cairo. This iconic mosque is built inside the fort walls of Salah Eldin Citadel and one of the most famous Islamic monuments in Egypt. This panoramic image is comprised of seven frames.

 

Landscape Photography

Stormy Clouds – Tanzania

 

Landscape Photography

Convergence – Vancouver

I photographed this beautiful underpass of two merging lanes on my last visit to Vancouver. The merging lanes were about six meters above me so I was looking for an angle that created sufficient drama with the share arrow figure. I then enhanced the surface of the concrete with high dynamic range processing. But something was missing. The final touch was placing the bird on the bottom left. It balanced the photo and provided a sense of scale.

 

Landscape Photography

Tunnel Beach

I visited Dunedin in the Autumn of 2018 attending the Photographic Society or New Zealand National convention. The Tunnel Beach field trip looked promising, so I was out by 6 am together with twenty other photographers hoping for good weather. We arrived on-site before sunrise and went down the steep path in pitch darkness. I picked a location to start shooting but when daylight broke, I was overwhelmed with the sheer beauty and magnificence of the place! The cliffs were simply majestic and the waves were crashing with brute force of mother nature.

Misty Clouds

Misty Clouds

I fell in love with the place and returned the next morning. This time I was more focused and picked some new locations, spending another three hours to capture photos from different angles. When the conference finished, I rented a car and drove to the beach for the third time. I felt that this is a unique place and wanted to go down the stairs to capture some photos from below before the tide came in (in most similar locations there is no access to the beach so photos can be taken from the cliff top only). This time there was no one there and the clouds were awesome! I spent another three hours capturing the beauty of these rocks!

The long 30 seconds exposure creates a sense of mystery and displays beautiful motion. The harsh waves turn into soft mist as they break onto the sharp rocks, swirling around the rocks and leaving a trail as the water recedes. The clouds flow over the sky, creating a soft, blurred blanket against the stunning cliffs. The long exposure captures time and creates remarkable landscape photography of dramatic scenery.

The Rock

The Rock

For centuries the Southern Ocean and its salt-laden wind have sculpted the sandstone coastline south of Dunedin. The outcome is a line of magnificent high cliffs, arches and headlands that provide endless vantage points for breathtaking views. The track downhill leads to the spectacular, rocky coastline. The hand carved rock tunnel gives Tunnel Beach it’s name. Built in the 1870s, the passage allows access to a secluded and sheltered beach at the base of the cliffs. In the 1870’s John Cargill excavated a tunnel down to a secluded beach so that the family could bathe in privacy. The beach has massive sandstone boulders, mysterious graffiti carved into the cliffs and a dangerous rip that sadly drowned Cargill’s youngest daughter.

 

Landscape Photography

Clouds – Tanzania

 

Landscape Photography

Leaning Tree – Tanzania

 

Fine Art Photography

Chicken and Egg – White Desert, Egypt

The Chicken and the Egg are located at the White Desert national park in Egypt along the border with Libya. These massive chalk rock formations were created as a result of occasional sandstorms in the area.

 

Landscape Photography

Two Trees – Tanzania

 

Landscape Photography

Cumulonimbus Clouds, Tanzania

I love the drama of the Cumulonimbus clouds. They are associated with thunderstorms and heavy rain as they are relatively close to the ground.

 

Landscape Photography

Lone tree in the Savanna, Tanzania

 

Landscape Photography

Tranquility Base

After buying a large plywood sheet and 20 KG of clay, my daughter helped in creating a rugged surface with craters domes to resemble a lunar surface. Once the clay dried up I used glue to stick it to the wood and asked my neighbours to help in moving it onto the roof where I had clear view of the night sky. I then placed two flash strobes on tiny tripods to create dramatic shadows. I then position the camera really low and extremely close to this iconic lemon juicer by Philippe Starck. This futuristic squeezer ranks among the greats of modern design with a place in the Museum of Modern Art in New York. Starck is rumoured to have said: “It’s not meant to squeeze lemons, it is meant to start conversations.”

 

Landscape Photography

Brooklyn Bridge, Manhattan, New York

Brooklyn Bridge is an iconic symbol of New York City. It is packed with tourists during the day, so I had to visit the place very early in the morning. I could not use my tripod because the pedestrian walkway constantly vibrates due to the six lanes of heavy traffic below it. The sky did not offer the desired drama on my first five visits, but I was very pleased with the outcome once the clouds showed up finally. It was the first bridge to span across the East River between Manhattan and Brooklyn. Opening in 1883 it was the longest suspension bridge in the world. 

 

Landscape Photography

The Empire State, Manhattan, New York

I was lucky to spend a few weeks in Manhattan in 2018 but the sky was mostly overcast or clear. One morning these clouds showed up and I knew I had to visit the Empire State Building. I waited for the traffic to stop for a minute and walked to the middle of Fifth Avenue to create this awesome photo early morning as the sun came out. Completed in 1931, this 102-story Art Deco skyscraper stood as the world’s tallest building until the construction of the World Trade Center in 1970. It took only thirteen and a half months to complete the building, on time and on budget! Being a symbol of New York City, around 4 million tourists visit the building’s observatories every year. As an American cultural icon, it featured in more than 250 TV shows and movies since the film King Kong was released in 1933.

 

Landscape Photography

Trellick Tower, London

Trellick Tower is an eclectic residential building located on the Cheltenham Estate in Kensal Town, London. Opening in 1972, it was commissioned by the Greater London Council and designed in the Brutalist style by architect Ernő Goldfinger. It was too sunny when I first visited the site so I had to wait for another day with the right formation of clouds to enhance the tower’s gritty and ominous look. I love the leading lines, the texture of the bare concrete and the unique windows.

 

Landscape Photography

Jesus Christ – St Paul’s Cathedral, London

Ecce Homo by Mark Wallinger is a life-size marble sculpture of Jesus Christ with his hands tied behind his back and a crown of barbed wire. It was standing at the entrance to St. Paul’s Cathedral in London in partnership with Amnesty International. When looking at this photograph, many people think that this is a real person and I think that is very cool as it was challenging to get the right texture from the white marble! I love the leading lines and the majestic arches with the massive columns on both sides.

 

Landscape Photography

Tate Modern – LondonTate Modern is the largest art gallery in London. It is located inside the old Bankside Power Station. It is one of the largest museums of modern and contemporary art in the world with more than 6 million visitors annually, making it the second-most visited in Britain, after the British Museum. I love the pattern of the old bricks against and the misty clouds!

 

Landscape Photography

The Jetty – Dunedin, New Zealand

We spent the night at the bottom of Ross Creek Reservoir. This is one of the oldest artificial lakes in the country, and the oldest water supply reservoir still in use in the country. It was created in the 1860s to provide water for the city of Dunedin, at that time in the middle of its rapid expansion due to the Otago goldrush. I love the leading lines and the shades of green against the dramatic clouds at sunrise.

 

Redwood Forest

Redwood Forest

I was attending a photography conference in Rotorua when I borrowed this wonderful wide-angle lens. I went out early in the morning to take photos of Redwood forest to create this one. I love the leading lines and the texture of the trees. I obviously ended up purchasing this beautiful lens…

Landscape Photography

Remarkable Rocks – Flinders Chase National Park, Kangaroo Island, Australia

I injured my toe that morning so it took me more than 20 minutes to limp the 200m from the car park to these Remarkable rocks at Flinders Chase National Park in Kangaroo Island. The large rock is about four stories tall and this photograph is a stitch of twelve images. It was important to show the gaps so I moved slightly when creating this panorama. These giant granite boulders look awesome at sunset with the harsh shadows and the hint of clouds in the sky.

 

Landscape Photographer

Great Ocean Road, Southern Ocean, Victoria, Australia

This is one of the beautiful spots along Australia’s Great Ocean Road. I love the rugged splendour of these magnificent rocks that rise up majestically from the Southern Ocean on Victoria’s dramatic coastline.

 

Landscape Photography

Piazza del Campo – Sienna, Italy

It was a cold morning in Siena, Italy when we arrived at the Piazza del Campo square which is usually packed with tourists. I asked the family to stop behind me and quickly took ten photos to create this panorama. I then enhanced the contrast in the sky to bring out the clouds and to create the drama. Palio di Siena is a horse race that is held twice a year. Located in Tuscany, it is regarded as one of Europe’s greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity.

 

Landscape Photography

The Gargoyle, Notre-Dame cathedral, Paris

I was determined to photograph the monstrous stone gargoyles that guard the Notre Dame cathedral. My first attempt failed when the guard said no more visitors for the day. My second try failed because the guards went on strike! This photo was taken on my third attempt! Catching an up close glimpse of these grotesque creatures was one of the highlights of my visit to Paris trip, and well worth the 387 steps climb to the top when the cathedral is restored and opens to the public again. This one is actually a Grotesque, gargoyles are the ones that spout water from the roof.

Standing stoic and proud, these mythical birds and hybrid beasts are eerie witnesses to history. They were added during the reconstruction of the church in the 1840s. When the Nazis invaded the country during World War II, the gargoyles stood strong, withstanding a four-day German siege on the church.

 

Landscape Photography

Moeraki Boulders – Oamaru, New Zealand

It was a race against time as I kept pouring water on these stunning Moeraki Boulders in a desperate effort to get some reflections as the sun was going down quickly behind the horizon. I love the drama of the clouds against these giant spherical objects. The larger boulders are estimated to have taken 4 to 5 million years to grow while 10 to 50 metres of marine mud accumulated on the seafloor above them.

Willow Tree and Moon

Willow Tree and Moon, Glenorchy, New Zealand

This old willow tree was standing in Glenorchy at the northern end of lake Wakatipu. I used the front headlights of our motorhome to light the tree in pitch darkness so that I could focus my camera. I placed the tripod cover on the grass. It was covered by frost when I picked it up ten minutes later! The moon is still up there.

 

Sky Tower

Sky Tower

The iconic Sky Tower is standing proud in Auckland’s Central Business District. More than 300 metres high, it is the tallest freestanding structure in the Southern Hemisphere. The tower is constructed of high-performance reinforced concrete. Its 12-metre diameter shaft which contains four lifts and an emergency stairwell is supported by eight “legs” – one of these legs is showing prominently in this photo here. I love the grungy and edgy texture of the raw concrete and the silhouette against the sun in the sky.

 

The Guggenheim

The Guggenheim

The Guggenheim art museum is located on the Upper East Side of Manhattan. It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern, and contemporary art. Established in 1939 it moved in 1959 to a landmark work of 20th-century architecture designed by Frank Lloyd Wright. The cylindrical building, wider at the top than at the bottom, was conceived as a “temple of the spirit”. Its unique ramp gallery extends up from ground level in a long, continuous spiral along the outer edges of the building to end just under the ceiling skylight. I placed my camera on the floor pointing up. I jumped to protect the camera when a visitor almost stumbled on it – I was then told off by security…

 

Cogwheel

Cogwheels

This pair of giants, rusty cogwheels are located at the top of Wynyard Wharf. I was at home hanging the laundry when I noticed the stunning clouds and rushed to the harbour. Weighing 16 tons, these awesome relics are from a steam dredge called “Whakarire” where they transmitted the power to the bucket chain. The vessel was built in Scotland in 1903 for service in Wellington Harbour until 1934, and thereafter in Napier until 1974, at which time she was scrapped in Auckland.

 

Empty Seats

Empty Seats

I noticed this open theatre in Melbourne CBD just outside NGV Australia. I placed the camera on a tiny tripod that I usually carry with me and made sure that the camera was set with a small f stop to ensure a large depth of field. I love the texture of the wood and the leading lines towards the horizon.

Edgy Meg

Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland Portrait Photographer Auckland

Borche

Portrait Photographer Auckland

“Before coming in New Zealand I worked as a special counterterrorism operator. I am from Macedonia, a small country that many people do not know exists even though it was considered a great world power before Christ, led by Alexander the Great. I spent 28 tough years of my life and I do not regret it, as Frank Roosevelt said “a smooth sea never made a skilled sailor”. I served my country for 5 years being part of the most elite “Special Task Unit”. Its main tasks are counterterrorism, resolving hostage situations and raid into facilities. I was also a part of the diving team, searching the underwater terrain, downers and objects of crime. In 2015 we had a terrorist attack that killed 8 of my colleagues and wounded 36. That was a wake-up call for me to start a family. I got married in 2015 and by 2016 my son was born. As the time was passing my private life started to get influenced by my work and that was the last thing I wanted. In 2017 my wife and I decided to leave the country to start a new life which will benefit us, and most of all our son – we purposely chose New Zealand. We have been living here for two years now, although we feel like whole lifetime. Here I have many opportunities and for me the mission is not over, because only the brave are followed by fortune…” Check out the Bare Truth series to see more.

 

 

Gwen Le Corre

Portrait Photographer Auckland

Massai Article in D-Photo

Mia

Mia

“NOTHING last forever not feelings not your bad situation nothing !! I’ve had this weird negative outlook on New Zealand for a long while I will always be a kiwi and appreciate the natural beauty of the country but the economy is seriously fucked and tall poppy syndrome is all to real stop cutting each other down !! be happy for other people’s success instead of been jealous or trying to find a way to exploit them personally when someone tells me about something good they are doing or something they are proud of I am genuinely happy for them and praise their efforts or even offer my help. this year I’ve walked away from people I thought would be in my life forever but have been rewarded with New beautiful souls who add to my life in a positive way. Often now when I meet new people I here whispers of oh she’s a rich kid or she’s got it easy. I just smile because the reality is I’m not “from money”
I made money my first job was actually McDonald’s it taught me lots I learnt to treat people with respect no matter what they looked like because hey everyone eats at maccas , millionaires the homeless everyone .. eventually I became a sex worker it got more hate than anyone I know for doing the oldest trade in the world. I invested wisely and it paid off I retired at the start of the year brought houses mortgage free and now I am working on projects so I can employ and help others. I did exactly what so many said I could not .
?
Exactly 4 years ago today I was going to kill myself I had no support no one to turn to for some absolute miracle I didn’t I pulled myself out of the shit I was a junky a meth addict I couldn’t see the light so I made my own. I always remember that is where I came from try stay humble and appreciate what I have Check up on your mates praise people for been good and get off your arses and do something instead of been jealous today I am 4 years meth clean and fucking proud “???

Portrait Photographer Auckland

ipa 2019 Honourable Mention – Eyes to the Soul

Portrait Photographer Auckland

Portrait Photographer Auckland

ipa 2019 Honourable Mention – Woman on a Tree

Portrait Photographer Auckland

Portrait Photography Auckland

ipa 2019 Honourable Mention – Maasai People

Portrait Photography Auckland

Travel Portraits Guide

Fearless

Nude Photography Auckland

Sophie

The subject of the female figure is an artistic tradition which indicates the historic value of beauty and fertility. Nudity has been a fundamental element of art throughout history. It has been used in paintings, sculptures, and other art forms to depict the human form, to express emotions and ideas, and to convey cultural and social messages. The role of nudity in art has changed over time, with changing cultural, religious, and social attitudes towards the human body.

In ancient times, nudity was often used in art to represent the supernatural. Nude female figures represented in art can be found as early as the Upper Palaeolithic era – the last Stone Age period. Similar images which represent fertility deities, gods and goddesses in Babylonian and Ancient Egyptian art were precursors to the works of Western antiquity. Greek and Roman artists frequently depicted gods and goddesses in the nude, as a symbol of their power and divine nature. Other notable traditions of artistic nude representations can be found in India and Japan: in particular, traditional Hindu temple sculptures and cave paintings -some very explicit- indicate the value of sexuality; a reveal a culture where partial or complete nudity was common in everyday life. In Early Christian art, the naked human figure was seen as a symbol of corruption and sin.

During the Renaissance period, artists began to incorporate the nude figure in their work more frequently, using it to express the beauty of the human form and to explore the complexity of human emotions. Athletes, dancers, and warriors statically express human energy and life, while nudes express basic and complex emotions. Artists like Michelangelo and Leonardo da Vinci created famous works depicting the nude figure. In the 19th and early 20th centuries, nudity became a more controversial subject in art. Artists like Édouard Manet and Gustave Courbet challenged traditional attitudes towards the human body, introducing more realistic and honest depictions of nudity. This trend continued into the 20th century, with artists like Pablo Picasso and Salvador Dali incorporating nudity into their works to express more surreal and abstract ideas.

Today, nudity in art continues to be a source of debate and controversy. Some see it as a powerful expression of human beauty and emotion, while others view it as inappropriate or even offensive. Despite this, nudity remains an important element of art, continuing to push the boundaries of what is acceptable by society. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. Fine art nude photography is a genre that captures the beauty and aesthetic of the human body, with an emphasis on form, composition, emotional content, and aesthetic qualities. This form of photography has been practiced for centuries and can be seen in various art movements such as classical, romantic, and modern. Fine art nude photography challenges and subverts societal norms and stereotypes surrounding nudity and the human body. It also celebrate the human form and explore themes such as sexuality, gender, and identity. It can also be controversial and may be subject to censorship and societal criticism. 

Erotic interest, although often present, is secondary; which distinguishes art photography from both glamour and pornographic photography. The distinction is not always clear, and photographers tend to characterise their own work subjectively, although viewers may have  different impressions. The nude is a controversial subject across all artistic mediums, but more so within photography due to the inherent realism. The medium examines issues of representation and identity, sexuality and voyeurism – some nude photography deliberately blur the boundaries between erotica and art. In the context of the 21st century, it is difficult to make an artistic statement in the medium of nude photography, given the proliferation of pornographic imagery – which has tainted the artistic subject in the perception of most viewers, limiting the opportunities to exhibit or publish artistic nude images

In this series, I explore the female nude figure through a collection of photographs on location. I aim to create images that are aesthetically pleasing and evoke an emotional response. I use lighting, composition, and posing techniques to create mood. I endeavor to respect the boundaries and sensitivities of my subjects and viewers and always obtain informed consent before creating these images. In presenting this series, I offer opportunities to contemplate and appreciate the juxtaposition between human and nature: soft flesh and harsh environment; life and stillness; white and black. The use of monochrome emphasises the nude shape and form, removing distracting elements to ensure that you focus on the beautiful feminine body language. These photographs portray powerful, vulnerable, and independent women who are depicted through fresh, inspiring and original artwork.

In presenting this series, I offer opportunities to contemplate and appreciate the juxtaposition between human and nature: soft flesh and harsh environment; life and still; white and black. The use of monochrome emphasises the nude shape and form, removing distracting elements to ensure that you focus on the beautiful body language. These photographs portray powerful and independent women who are depicted through fresh, inspiring and original artwork.

Nude Photography North Shore

Lucy

 

Nude Photography North Shore

Robyn

 

Nude Photography North Shore

Keri

 

Nude Photography North Shore

Jana

 

Nude Photography North Shore

Mia

 

Nude Photography North Shore

Maggie

 

Nude Photography North Shore

 

Nude Photography Auckland

Zoe

 

Nude Photography Auckland

Tamsin

 

Nude Photography Auckland

Melissa

 

Nude Photography Auckland

Ivy

Nude Photography Auckland

Eve

 

Nude Photography Auckland

Lucie

 

Nude Photography Auckland

Fernanda

 

Nude Photography Auckland

Viviane

 

Nude Photography Auckland

Karin

 

Nude Photography Auckland

Virginia

 

Nude Photography Auckland

Nakita

 

Nude Photography Auckland

Meg

 

Nude Photography Auckland

Shazia

 

Nude Photography Auckland

Light at the Tunnel

 

Nude Photography Auckland

Vendy

 

Nude Photography Auckland

Le Corre

 

Nude Photography Auckland

Poppy

 

Nude Photography Auckland

Maddison

 

Nude Photography Auckland

Aimee

 

Nude Photography Auckland

Minh-Ly

 

Nude Photography Auckland

On the Rocks

 

Autumn Leaves

 

The wave Breaker

 

The Nymph

 

Nude Photographer Auckland

Giuliana

 

The Huntress

 

Woman on a Tree

 

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Juxtaposition

 

Drought

 

The Bride

 

By the Sea

I let the cold porcelain bruise it’s way into my knees
Some days I sit there long enough that my skin looks like it could peel from my flesh
I feel each individual drop of water soak the skin on my back rising and falling down protruding vertebrae
It flows no different to the rapids of a river rolling across jagged stone
And quietly to myself I beg it to wash away the ache that seems it has so effortlessly weaved its way into every cell in my body
The way cancer would spread
Or weeds over grow a garden once cared for

You are how I measure time now
Before you and after you
And you are how I measure beauty too
No one quite compares to you
I am not afraid of the dark anymore
It lives inside of me and I in it
On the nights my hearts composure decomposes
and my grief feels no different to drowning
I walk the streets of this ghost town I once walked with you
At witching hour just the moon and i
A humble smile as a disguise to mask the screams I hold inside
My body feels like bags of rocks
And I wonder if my blood feels the same way I do
As it pumps through each barren chamber of my heart pounding with each step I take
Slowly making its way through the road maps that are my veins
There’s life here
It’s just locked away somewhere hiding in fear
But I promise you a broken heart doesn’t beat the same as a happy one
I can feel it with every heaving breath that exhales from my blackened lungs
I can feel it

I am lucky
I walk amongst the living still
I say lucky because
I swear most nights I looked death in the face
As she invited me into the comfort of her embrace
I have knelt before the reaper
And let her seductively run her scythe along my throat
I wiped my tears on the foot of her robe
And let her fill my head with fantasies
Where we could run away together
She promised I wouldn’t miss you
She said if I let go
That she would take me to the oasis of souls inhabiting the emptiness that grief holds
But the grief would no longer be mine to hold

Most days now when death comes knocking at my door
I politely ask her to leave
I know my time will come but for now
I do not wish to be the reason that many may grieve
Or the reason their bodies become heavy with sadness that was never theirs to carry
So with the space you left in me
I raised an army of dead
With each day I’d wake and die all over again
And every version of me that buried itself
My body became its own graveyard
I used my necromancer hands to pull each piece of my soul from its grave
I collected my ashes and rose again with the fire of a phoenix
And I told her to wear the heartbreak like armor
Hold the emptiness as a shield
And anything that tries to take you let it fall into the void
Pick up your words, pick up your integrity
It is your weapon
And with each piece of me that has risen again
I slay the thoughts that threaten me
And I remain
With the words engraved in my body
I refuse to die.

Encapsulated

 

Temptation

 

Climbing Up

 

Nude Photography Auckland

Mud

 

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Between two Rocks

 

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The Tree

Paul Gilbert – Bare Truth

July 28, 2019

 

August 8, 2019

 

August 19, 2019

“I am due to be 65 years old (New Zealand’s retirement age) in early December 2019. I have a very aggressive cancer and am in palliative care after two chemotherapy rounds and a failed drug trial. I’m hoping to stay well enough to make that date or better. I have been a “dead man walking” since a burst colon tumour nearly took me out with septicemia, and that certainty transformed and tested my philosophical outlook. I have been very surprised that my previous lip service to my beliefs have now actually been tested and find me in a very rich part of my life. My collateral has always been in relationships, not cash currency and I’ve found this never devalues. Indeed I’m overwhelmed by the support and love returning my way from family, friends and acquaintances, much of it from the many wonderful people working in this often devastating area of care. I have never been more relaxed in my attitude to life and am sensitive to the fact that my calm demeanour attracts simple smiles, gifts and shared enjoyment. Likewise, my forthright opinions and dark humour are often very challenging, but go figure? Why blues music?
Tunnelling down to try to fathom this wonderous shift has not revealed any deliberate or constructed effort. I will take this gift and, while my quality of life is medically managed, try to maintain my voluntary activities with Hospice and elsewhere the need is felt.
Born in a relatively impoverished inner-city suburb with a fabulous mixed ethnicity, I enjoyed primary and intermediate school with good if challenged teachers and a great local library. During my parents’ discord and break up, books were my refuge. It was a household of drink and violence from my father, deep love and sacrifice from my mother.
My life has been strongly influenced by necessity and responsibility. Healthwise I have been free, by and large, of injury or disease and that has allowed me to spot the gap and with some tantalising risk, embark on photographic and maritime adventures when responsibilities lessened. Of course we navigate much of our life with youth’s immortal horizon. I used to say I liked the sound of deadlines whistling by, but no more.
My siblings and I lost our mother to high blood pressure, stress, and little available support, when I was 17 years old. With an absent father, and having just started work, I supported my younger brother and sister through their secondary school years. We ate well on very little because of a socialist food co-operative. My philosophy was forming along with a period of intense and at that time obscure soft-style martial arts training with a weighting toward meditation and energy integration. I have always been grateful that mum passed on her interest in photography, which, at age 7, along with a boat trip, cemented two combined lifelong passions. I have lived aboard yachts, photographed them, and enjoyed that wonderful lifestyle that our sparkling waters provide.
I progressed to a series of technically skilled high-end jobs including teaching. Although low paid these jobs allowed for a parallel passionate development in personal documentary and fine arts efforts. Maintaining an active exhibiting profile fell to one side due to financial constraints. The work however, which is always primary, has continued unabated, if unrecognised, in the fine arts arena. I’m currently looking to house my marine archive.
I became a solo parent to my two year old son after completing a documentary project. He returned to his mother at age 12 and then moved to Australia when he was 17. I have a daughter from a subsequent relationship, access to whom was very sadly limited. I have been recently blessed by Eamonn and Laura gifting us a grandson. Life is a circle.
I am currently very busy trying to organise things for my passing, to save anguish for my loved ones in the rather unknown time ahead. The time feels short, the list long. I’m planning a “Way out Party” to gather with and enjoy my friends and family as soon as is practical, to help them ease into their grief process in a face+to-face farewell, with laughter, ribald stories and much love. Boats will play a part in my crossing the bar.
My very unconventional urn will reside under Mum’s memorial tree, planted by Bruce, Linda and myself when I turned 50 years old. The tree overlooks my wondrous Hauraki Gulf and its islands from above the bay where I lived aboard my yacht for eight years. Traumatised by Mum’s early death it was devastating many years later to return to the cemetery and find they had lost the ashes. The now 3m high tree and its simple bench and plaque, is a place to stand, rest and remember. I am very happy with these arrangements.
Enough of that rough sea!
Being a photographer, I rarely am caught north of the lens hence my appearance here as a record. What have I learned about Photography? Only two things matter:
1. It’s where you stand
2. It’s when you trip the shutter Practice refining this for as long as possible.
Add a decent amount of saltwater. Mix well. Enjoy the Journey.”

Portrait of Humanity

Delighted to have my photo ‘Man with a leather jacket’ published in Portrait of Humanity. This is a hardcover book by the publisher of The British Journal of Photography, in partnership with Magnum Photos, containing 200 portraits taken by photographers from 65 countries. The book celebrates global citizenship at a time of great instability. It serves as a timely reminder that despite our many differences, we are able to unite as a global community through the power of photography and to create a collaborative photography exhibition. Portrait of Humanity is a celebration of our shared values: individuality, community and unity. The photos show us the world, documenting the universal expressions of life; laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes and everything in between. Funny, revealing and often moving, the faces and stories show that we are all wonderfully unique, yet at the same level, deeply the same… 

Portrait of Humanity

Kimironko Market – Rwanda

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