Tag Archive for: Travel Photography

Smoking

Egypt documentary photography

Honorable Mention in Photojournalism for ‘Smoking’ at the 2024 Black and White Spider Awards

Girl with Balloons

Travel Photography North Shore

Highly Commended for ‘Girls with Balloons’ at the 2024 Australian Prize competition – People category

Three Men

Award Winning Travel Photography

Silver for ‘Three Men’ at the 2024 Australian Prize competition

The Fortune Teller

2024 Australian Prize Entries

Travel Photography India

Three Men

The Train

 

The Aftermath

 

Girl with Balloons

 

Woman with a Green Scarf

 

No Vacancy

 

The Fortune Teller

 

Man Wearing a Red Turban

 

Boy and Wire

The Aftermath opening event by Juliet Moses

President of the Jewish Council, June 22nd 2024

October 7. I would think that everybody in this room remembers what they were doing when they found out.  I was at home, it was 4.35 pm on that day, and I was sent a message on a WhatsApp group, saying “Israel under massive missile attack” with a map from the red alert app showing all the targets. I quickly got onto social media and the news – I think I first saw a white pick up truck with Hamas gunmen on the back cruising the streets of Sderot being filmed – and realized straight away that this was no ordinary attack. Let’s just pause at that for a moment and contemplate those words – no ordinary attack – their absurdity, their unfairness, and the normalisation of something no other state on earth would be expected to tolerate or show restraint over.

My messages became increasingly frantic. To my family: “I’ve seen images of people slaughtered in the streets. I feel sick.” And 5 minutes later “They’re killing them in bomb shelters. Paraglided in. It’s absolutely gruesome”.

I try to stay off twitter over Shabbat, but at 6.52pm I tweeted the map of the rocket attacks and said “There’ve been infiltrations of terrorists from Gaza into Israel as well. I’ve seen images I wont share of slaughtered people in the streets. This is extremely distressing and means all out war”.

I sat there glued to social media and the TV until late at night, with a feeling a total helplessness that this could all be happening right now and we could be watching it unfold, and there was nothing that I could do. I went to sleep with a feeling of guilt, terror and dread, and woke up to news that some 700 people had been killed. For two weeks after that I felt constantly shaky and sick to the stomach. I know that was nothing unusual.

Why did we feel so shaken to the core?  Why did we, and do we still feel this deep trauma, pain, shock, and grief, as if it is still October 7, as if time has stood still?

It wasn’t just the catastrophic intelligence failure that led to this massive attack, that shook our confidence, some might say our complacency or even arrogance, our belief in Israel’s ability to outsmart its enemies and protect itself, that saw homes being violated and desecrated, in a way that we thought would not happen anymore, and most certainly could not, would not happen in Israel.

It wasn’t just the massive scale of the attack, over 1200 people killed, over 250 taken hostage.

It wasn’t just the indescribable, medieval debauchery, degradation and depravity of the attacks, attacks that no label really does justice to. They were all of and more than a terrorist attack, a pogrom, an invasion, a jew hunt, an act of genocide. How do you describe the barbaric brutality that causes people to just disappear? Only this month, Israeli authorities identified the remains of Dolev Yehoud, a 35-year-old medic from the Nir Oz kibbutz, who it was believed had been taken hostage. Multiple forensic field tests had failed to reveal any DNA. It took 8 months to identify him. His fourth child was born on October 16. His sister, Arbel Yehoud, remains in captivity.

It wasn’t just the hostages who were taken and those who remain in captivity, to be used by Hamas as bargaining chips and sex slaves, and whom the word has allowed to be used as bargaining chips and sex slaves, and has abandoned, and tried their best to forget and actively remove any reminder of and obstruct us from rescuing and vilified us when we do. The Red Cross has not visited them once.

It wasn’t just who participated on that day – so-called civilians, journalists, members of UNRWA.

It wasn’t just the bloodlust, pride and jubilation of those who participated somehow paradoxically coupled with a deadeyed coldblooded mechanical execution – I use that in both senses of the word. The ecstasy of the mob in Gaza as the hunters return with their bounty, the mutilated body of Shani Louk splayed on the back of a truck, spat on and hit with planks, greeted with ecstatic cries of Allah Akbar. The recording of the son who rang his parents with great excitement to announce that he had killed ten Yahoud. The terrorist who shot a father dead in his Kibbutz Be’eri home, and is caught in the house’s security cameras as he walks into the kitchen and grabs a soft drink out of the refrigerator and drinks it, as the two young sons sit there, one saying “Papa is dead. Papa is dead. Why am I still alive?” while the other sits there with one eye gouged out.

It wasn’t just the livestreaming and gopro-ing for the world to see, the granddaughter who discovered her grandmother’s murder when her assailant filmed it on her phone and posted it on her Facebook wall. At least the Nazis – and let’s stop and think about those words too and what it says that we might ever use them – at least the Nazis tried to hide, went to great lengths to hide, the evidence of their crimes. The calculation that Hamas made was that the humiliation, pain, terror and psychological torture their recordings inflicted would be worth it, and outweigh any outrage, any damage to their cause, and you know what? They were right.

They were right, because there are those around the world, including in New Zealand, including academics and politicians, who despite all the evidence, are willing to infantilise, trivialise, justify, defend, and celebrate Hamas and its evildoing. But they were also right because there are those who reject the evidence of their eyes and ears.

By 16 October, I understood that we were already dealing with October 7 denialism. My younger son was at his last Uni lecture for the year on Islam, as it turns out, and was told by a young woman in a hijab that the Nova festival attack was “Zionist propaganda”. Some time later my mother engaged with an anti-Israel protester and was told the footage of that day was all AI. In this war, even when a photo or footage isn’t AI-generated, and a lot have been – we have all seen the 6-fingered Gazan boy – the possibility that it could have been, sows confusion and doubt.

Perhaps worst of all is the denial that rape was used as a tool of war on that day, despite countless eye witness testimonies, and forensic and other evidence that I won’t discuss. Apparently progressive people, who a few years before were happy to destroy a man’s career based on a rumour that he touched a woman’s knee without her consent because #believe all women, suddenly found themselves disbelieving substantial, undeniable, evidence of unspeakably savage rape and sex-based violence, as some of us saw on Wednesday night when we watched Sheryl Sandberg’s powerful documentary Screams before Silence.

Of course, there has been a campaign to erase and appropriate our history for a long time – the Temple is built on top of and its existence denied, we are told Jesus was Palestinian, our sacred historical sites are recognised and protected at the UN as Muslim sites. But denial of our trauma is much more than just delegitimization – though that is bad enough. We must be clear that it is integral to the genocidal strategy that Hamas and the Iranian regime is committed to, and that people around the world, unwittingly or not, are enabling. Denial is an inversion of reality and morality that strives to reshape history in order to demonise victims and rehabilitate the perpetrators.

As the late Armenian historian Professor Richard G. Hovannisian said “Complete annihilation of a people requires the banishment of recollection and suffocation of remembrance. Falsification, deception and half-truths reduce what was to what might have been or perhaps what was not at all.”

In his book “Crusade in Europe” Eisenhower wrote about the liberation of the camps at the end of WW2  “I have never felt able to describe my emotional reactions when I first came face to face with indisputable evidence of Nazi brutality and ruthless disregard of every shred of decency. Up to that time I had known about it only generally or through secondary sources. I am certain, however that I have never at any other time experienced an equal sense of shock. I visited every nook and cranny of the camp because I felt it my duty to be in a position from then on to testify at first hand about these things in case there ever grew up at home the belief or assumption that `the stories of Nazi brutality were just propaganda.” How prescient that was.

This is what Ilan has done, and why it is so crucial. He has chosen to testify. He travelled to Israel, and on February 7, 4 months to the day, became one of few people to get access to Kibbutz Be’eri, to bear witness to the devastation of that darkest of days. He has shown great commitment in doing so, and in putting this exhibition together, at personal cost and sacrifice.  It seems there are many people who just don’t want to know or see.

But we have to keep trying, all of us, to share the truth, because it can make a difference. According to a Palestinian poll released on June 12, published by the Palestinian Center for Policy and Survey Research, 90 percent of Palestinians have not seen videos from that day, which is interesting given they seem very connected to social media and the amount of videos that they seem to record and circulate themselves. Importantly, however, the results also show that those who watched the videos are about fifteen times more likely than those who did not, to believe that Hamas committed atrocities on October 7.

I can think of three main reasons why preserving, recording and communicating the truth is vital.

First, to honour the victims and survivors. As Elie Wisel said: For the survivor who chooses to testify, it is clear: his duty is to bear witness for the dead and for the living. He has no right to deprive future generations of a past that belongs to our collective memory. To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.”

Second, as Wiesel alludes to, our collective memory is who we are as a people. The verb Zachor (“remember”) is repeated everywhere in Jewish ceremony and liturgy: under the wedding canopy, during Seder, in the Ten Commandments, during Shabbat, in siddurim. Now, October 7 is forever embedded into our collective memory and will be handed down the generations as part of our story. And we must be better at telling our story to the world.

Third, we must stand for the truth for the sake of truth itself, because open, free and liberal societies, which are the societies that Jews thrive in but are also the best for civilisation itself, depend on the truth. If all we have is feelings, moral relativism, and narratives, we as a society will be destroyed.

So I thank you all for being here today in person or online to bear witness. Remember that, while we are not physically fighting for Israel, we can play a critical part in the battleground for the truth, to combat the falsification, distortion, revision and erasure of history and to be the guardians of our collective memory. And at this moment in time for the Jewish people, I would suggest that it is a moral necessity for us to do so, and to play our part in continuing the most inspiring, unbreakable story of an ancient people who have survived and stayed true to ourselves for over 3000 years against all odds.

Am Yisrael Chai.

The Aftermath Registration Form

The Art Dealer

Award winning Portrait Photographer Auckland

The Art Dealer

Delighted to win a Gold award for ‘The Art Dealer’ in the Monochrome category at the North Shore National Salon of Photography🥇
It was an early morning and only a couple of hours to spare before my departure flight, but I braved all odds and seized the opportunity to explore the vibrant flea market on the outskirts of Istanbul 💯
Luck was definitely on my side when I stumbled upon this incredible man who just exuded authenticity! With such a charismatic presence and a backdrop to match, I couldn’t resist asking him to look at the camera📸 We clicked instantly and he graciously posed beside his eclectic merchandise. The connection was natural, and the moment was magical. 🔥
The genuine delight on his face when he saw the photo on the back of my camera was priceless. He requested a copy to frame and hang on his wall, proving the profound impact that a simple photograph can have in bridging cultural gaps and capturing the true essence of a moment so beautifully🖼️ I’m so grateful for this experience.

Faces of Humanity

Faces of Humanity is a documentary collection with little or no changes to the actual scene. I asked people to look straight into my camera, so these are not candid photos. The strength of this series is in giving viewers a rare opportunity to connect with people in their natural environment. This diverse group of people serves as a timely reminder that, despite our many cultural differences, we can unite as a community through the power of photography.

This is a celebration of our shared values: hard work, the importance of family, and caring for each other as humans. I hope that through these photos viewers learn more about people with different backgrounds from around the world: Ruanda, Morocco, Tanzania, Cairo, Jerusalem and New Zealand. The show offers opportunities for people to contemplate, absorb, and increase their awareness of the complexities of human experience. Each photograph reveals an individual with a story that has shaped their life.

We connect with others by making eye contact – reading their expressions, feeling their emotions and getting a glimpse of their souls. I want viewers to form meaningful connections with these people: to see them as human beings, not simply subjects in front of a camera. I purposely created portraits that allow viewers to make direct eye contact with each person, so visitors can form emotional connections with these individuals.

In sharing this portfolio, I encourage viewers to show empathy: to accept others and to recognise the value of cultural diversity. We would all experience an enhanced sense of community if we took the time to appreciate interactions which allow us to discover the world beyond our familiar boundaries. We are all wonderfully unique, yet, at the same time, we are deeply similar.

I am presenting these photographs in timeless monochrome, to ensure consistency and flow of the series amidst the chaos and clutter of the busy environment. The portraits are crisp and sharp, to allow the details to inspire the imagination and to evoke emotions. My aim is to create an authentic portfolio of diverse individuals in a foreign land. My goal is to tell their stories using a clear narrative style and enduring quality.

Portrait Photographer Auckland

Tires – Morocco 

Portrait Photographer Auckland

Clyde Scott – Auckland

 

Portrait Photographer Auckland

Frank – Auckland

 

Barber Shop New Zealand

The barber – Auckland

 

Faces of Cairo

Shish Kebab – Cairo

 

Travel Photography

Knife sharpener – Morocco

 

Faces of Humanity

Man with a Hat – Jaffa

 

Portrait Photographer Auckland

Shells – Taranaki

 

Portrait Photography Auckland

The Library – Auckland

 

Eal

Boy and his Eel – Taranaki

 

The Fish Merchant – Akko

 

The Counter – Akko

 

Blue Collar – Jaffa

 

Dead Chickens – Morocco

 

The Garment Merchant – Jerusalem

 

The Paper – Jerusalem

 

Souvenirs Galore – Jerusalem

 

The Fist – Jerusalem

 

MAGGI – Morocco

 

Bric-à-brac Rwanda

 

Tutsi Girl – Rwanda

 

Men with canes – Rwanda

 

Woodwork – Rwanda

 

The Barber – Morocco

 

Arthur was sitting and waiting for customers in the same barber shop that his father established 60 years ago in Melbourne. It took three visits to the store and $100 to convince Arthur to have his portrait taken. I then had my haircut… AIPP Silver with Distinction Award.

 

Faces of Humanity

Boys and Cart – Jerusalem

 

Faces of Humanity

John and Rebecca – Auckland

 

Faces of Humanity

Queen Deemi – Auckland

 

Faces of Humanity

Just Bagels – Jerusalem

 

Faces of Humanity

Essential Oils – Jerusalem

 

Faces of Humanity

Wayne and Jennie – Auckland

 

Faces of Humanity

Sitting on a Cart – Cairo

 

Faces of Humanity

Man with a Beany – Jerusalem

 

Faces of Humanity

Backgammon – Jerusalem

 

Man with a Ring – Alexandria

 

Faces of Humanity

KAKAO – Jerusalem

 

Faces of Humanity

SINGER – Jerusalem

 

Faces of Humanity

Father and Son – Jerusalem

 

Faces of Humanity

Three Brothers

 

Faces of Humanity

Hubble-bubble – Alexandria

 

Faces of Humanity

Bananas – Cairo

 

Faces of Humanity

Two Men – Cairo

 

Faces of Humanity

Sitting by the Cross – Alexandria

 

Faces of Humanity

Scales – Jerusalem

 

Faces of Humanity

The Department Store – Jerusalem

 

Faces of Humanity

Money Changer – Jerusalem

 

Faces of Humanity

Boy with a cart – Jerusalem

 

Faces of Humanity

Souvenir Shop – Jerusalem

 

Faces of Humanity

Mono Rhino – Jaffa

 

ITANGA – Rwanda

 

Dying the Wool – Morocco

Magazine Shop – Jerusalem

 

Delinquents – Auckland

 

Just Beads

 

Man with a leather Jacket – Auckland

 

The Donkey – Morocco

 

Brass and Copper – Morocco

 

Shoe Shining – Rwanda

 

The Fly – Egypt

 

Egyptian Presidents

All the presidents – Egypt

 

Digger

Man and his Dog – Auckland

 

Standing Proud – Morocco

 

Cowhide – Tanzania

 

The Hut – Tanzania

 

Timid – Tanzania

 

Standing in the Rain – Tanzania

 

Joy – Tanzania

 

Maasai Women – Tanzania

 

Sewing Machine – Cairo

 

Sitting by the hut – Tanzania

 

Sitting Down – Tanzania

 

The Look – Cairo

 

Shoe Laces – Cairo

 

The Maasai – Tanzania

 

Man with an Apron – Morocco

 

 

The Look

Fine Art Photography

Portrait Open

Awesome to win a Silver with Distinction for ‘The Three Brothers‘ in the Portrait Open category of the 2022 NZIPP Iris Awards. They are standing together at the end of their working shift. From left to right are Andrew BUHIGIRO (the oldest), Paul RUDAKUBANA and Peter SINDIKUBWABO. They are employees of the Muhabura hotel, tidying the garden and sometimes helping in customer care. The hotel is located in the calm of the Musanze town, at the northern province of Rwanda.

Rwanda

‘The Three Brothers’ – Silver with Distinction, NZIPP Iris Awards

 

Nude Photography Auckland

‘The Underpass’ – Bronze, NZIPP Iris Awards

 

Nude Photography Auckland

‘On the Tree’ – Bronze, NZIPP Iris Awards

Finalist

Honoured and delighted to be a Finalist in the Travel category of the NZIPP 2022 Iris Awards. The winner will be announced on Monday gala dinner.

Gucci Travel Photographer Cairo

Protected: Nathalie Album

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No Vacany

Awesome to win a Gold Award for No Vacancy at the 2022 North Shore National Salon of Photography 🥇Heading to Auckland, I left Wellington really early at the end of the New Zealand Art Show back in June. It was dark and wet, with very little traffic when I passed through the sleepy town of Levin at about 06:57 AM. Thinking about my life, the eight hour, 650km journey ahead, and the $120 speeding ticket I got driving there, I noticed something red at the corner of my eye. I kept driving for another 30 seconds and then said to myself something to the effect “F**k it, I can’t just drive past this opportunity”.

I stopped the car, did a U turn, and returned to the scene. Searched for my tripod at the back of my cramped rental vehicle, and set up my camera on bracketing mode. I took five shots of every scene, each with a different exposure, from 4 to 0.4 seconds long. I was trying different angles to see which perspective is most effective. I then risked my life and set up my tripod on the median line to take some vertical snaps from a closer distance when two trucks came flying. capturing a total of 72 photos I was content that I have enough material to work on. Three minutes after leaving Levin heavy rain came pouring down from the sky. The final image is a composite of six photos, each taken with a different exposure to maximize balance, harmony and visual impact.

Here are some of the judges’ comments:
“OH MY GOODNESS! What a unique original image… They’ve done it in such an awesome way. The clarity is fantastic. The thing that is most clear about this image is that at 6:57 AM there was No Vacancy at that motel. It’s beautiful, it’s so graphic, it’s strong and it’s bold.”
“There is something very cinematic about it. It reminds me of a Kevin Tarantino movie. Something really sinister is going to happen in this place…”
“I love the sterility of it, I love the simplicity of it. Such a powerful and strong image. And then, to have that power pole, to come out, and be just in that perfect spot… this photographer is so incredibly lucky, or very talented… Great image, well seen, well captured, well presented.”

Zachary's MOTEL

No Vacancy© Ilan Wittenberg 2022, Limited Edition of 30 + 2AP Shop Now

Steve-Album

Faces of Humanity exhibition clip

 

Artist Statement Faces of Humanity Exhibition Faces of Humanity Exhibition Faces of Humanity Exhibition Faces of Humanity Exhibition

Gannet Triptych

Gannet Colony - Muriwai, Auckland, New Zealand

Gannet Colony © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Shop Now

 

Landscape Photography Auckland

Muriwai © Ilan Wittenberg 2020, Limited Edition of 30 + 2AP Shop Now

 

Gannets

Flying Away © Ilan Wittenberg 2021, Limited Edition of 30 + 2AP Shop Now

Faces of Humanity exhibition opening event

The Tor at Waiake Beach

The Tor at Waiake Beach

Waiake Beach

Ahhh, these awesome rocks and those beautiful clouds…
That’s what happens when I scout for a location with some character and drama.
 looks out to the Tor, a presque-isle at the north end of the beach that becomes an island at high tide.
Presque-isle (from the French presqu’île, meaning almost island) is a geographical term denoting a piece of land which is closer to being an island than most peninsulas because of its being joined to the mainland by an extremely narrow neck of land.
Waieke Tor

Tag Archive for: Travel Photography